VIDEO PODCAST: James Ross and Eric Fraad discuss Streaming, Downloads and CDs with Maria Nockin, Mary Mogil, David Arditti, Gerald Fenech, John Daleiden, John Dante Prevedini, Lucas Ball and Stephen Francis Vasta.
SPONSORED: CD Spotlight. Perfect Indeed - More Beethoven from James Brawn, recommended by Andrew Schartmann.
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PODCAST: John Dante Prevedini leads a discussion about Classical Music and Visual Disability, including contributions from Charlotte Hardwick, Robert McCarney, Halida Dinova and Giuseppe Pennisi.
Spotlight. Precious, Luminous Gems - Esdras Mugatik listens to music for accordion by British composer Ronald Stevenson (1928-2015). '... a magical capacity to differentiate levels of sound ...'
A Fresh, Different View - Roderic Dunnett previews Adrian Partington's 2023 Gloucester Three Choirs Festival
Ensemble. A Worthy Venture - Adam J Sacks reports on two Hong Kong Philharmonic Orchestra concerts
Echoes of Oblivion by Robert McCarney - Fragments of Utopia
Ensemble. Sex and Blood in Jerusalem - Giuseppe Pennisi reports on the new production of 'Salome' in Leipzig
Ensemble. Exhilarating Music - Verdi, Rossini, Offenbach, Mozart and Theodore Morrison at Santa Fe Opera, enjoyed by Maria Nockin
Masks - Jennifer Paull continues her investigation of musical and theatrical masks
Masks - Jennifer Paull investigates a layering of musical and theatrical masks, with the omnipresent eerie reminder of the gas mask
Ensemble. A Top-notch Formation - Operas by Zemlinsky and Puccini, reviewed by Giuseppe Pennisi
Ensemble. A New Path - Music by Oliver Rudland, heard by Robert Anderson
Ensemble. Magnificent Performances - 'Salome' from Arizona, reviewed by Maria Nockin
Ensemble. An Accomplished Performance - Matthew Moss sings British music, enjoyed by Mike Wheeler
Ensemble. Any Questions? - Bernstein's 'Candide' at English National Opera, enjoyed by David Wilkins
Ensemble. Distant Sound - LA Opera's 'Recovered Voices', reviewed by Maria Nockin
Ensemble. Satisfying the Quest - 'The Nightingale and the Rose' by Oliver Rudland, reviewed by Robert Anderson
Ensemble. Dramatic Punch - Richard Strauss's 'Salomé', reviewed by Maria Nockin