Giacomo Puccini

Italian composer Giacomo Puccini was born on 22 December 1858 in Lucca, where he later became church organist and choirmaster. He studied initially with his uncle, and a performance of Verdi's Aida inspired him to write his own operas. From 1880 he studied composition with Amilcare Ponchielli and Antonio Bazzini at the Conservatory in Milan. Whilst there he wrote the one act opera La Villi for a competition. It didn't win, but it was later noticed by Giulio Ricordi, who commissioned him to write a second opera Edgar (1889).

From 1891 he lived mostly at Torre del Lago, near Lucca, and after a few years (and the notable success of his third opera, Manon Lescaut, of 1893) he acquired some land and built the villa now known as the Villa Museo Puccini. Manon Lescaut was his first collaboration with librettists Luigi Illica and Giuseppe Giacosa. They all went on to produce La bohème (1896), Tosca (1900) and Madama Butterfly (1904), Puccini's most popular operas.

After this, his rate of completing operas decreased, following a car accident, some domestic scandal and the death of his publisher Giulio Ricordi. La Fanciulla del West was completed in 1910, La Rondine in 1917 and Il Trittico (three one-act operas) was premièred in New York in 1918.

The end came quite quickly for Puccini in the guise of throat cancer, probably caused by his chain smoking of cigars. He went to Brussels for radiation therapy, where he died on 29 November 1924 from complications caused by the treatment. Turandot, his final opera, hadn't been finished, but it was completed from sketches by Franco Alfano. (Toscanini, who conducted the première, made a second version, based on Alfano's, and a new ending was made by Luciano Berio in 2002, after going back to the original sketches, but Toscanini's version is normally used in performance).

There are contradictions - concerning both the man and his music. Mussolini claimed that Puccini had applied to join the National Fascist Party, although the composer didn't appear to be active in politics. Was he secretive to avoid losing his friendship with the anti-fascist Toscanini?

Puccini's popular style, emphasising melody and influenced strongly by Verdi and to some extent Wagner, uses orchestral colour to create atmosphere, yet there is a common perception that this style lacks depth.

A selection of articles about Giacomo Puccini

Ensemble. Crushing Tragedy - Ron Bierman has mixed feelings about San Diego Opera's production of Puccini's 'La bohème'

Ensemble. Compellingly Realistic - Ron Bierman was in the audience for Giocomo Puccini's 'La bohème' in San Diego

Ensemble. Impressive Emotional Depth - Ron Bierman experiences an almost excellent performance of Puccini's 'Madama Butterfly'

Profile. It's Art - Ron Bierman talks to Amerian opera director Kyle Lang

Spotlight. Sensitively Beautiful - Gerald Fenech recommends two albums from Signum Classics, marking this year's Puccini anniversary. '... an irresistible programme full of shimmering melodies ...'

Ensemble. Splendidly Thought-out - Mike Wheeler listens to music by J S Bach, Howells, MacMillan, Puccini, Reger, Sibelius and Vaughan Williams from the Sitwell Singers and friends

Ensemble. A Joy to Watch - Mike Wheeler finds that Opera North's 'La Rondine' has all the company's usual flair, but has reservations in general about Giacomo Puccini's music

Spotlight. Dramatic and Passionate - Gerald Fenech ardently recommends extracts from operas in the Italian verismo tradition. 'Hindoyan gets superb playing from his Liverpudlians, and the white-hot streak of the music is delivered with unabashed virtuosity.'

Ensemble. Thoroughly Enjoyable - Ron Bierman listens to a concert given by Latonia Moore and J'Nai Bridges, with the San Diego Symphony Orchestra and conductor Bruce Stasyna

Spotlight. A Gloriously Captivating Voice - Gerald Fenech listens to tenor Jonathan Tetelman singing Puccini. '... a must for all Puccini fans ...'

Classical music news - Previews - Looking ahead to events during the 2023/24 season

Ensemble. A Backwards Bohème - Adam J Sacks reports from Opera Philadelphia

Ensemble. Appealing Voices with Exceptional Power - Ron Bierman is entertained by San Diego Opera's production of Puccini's 'Tosca'

Profile. Big Roles - Ron Bierman talks to American soprano Michelle Bradley

Ensemble. Puccini Duo - Ron Bierman was in the audience for San Diego Opera's 'Suor Angelica' and 'Gianni Schicchi'

Profile. Creativity, Imagination and Curiosity - Ron Bierman talks to American mezzo Stephanie Blythe

Ensemble. In Honour of Carla Fracci - Giuseppe Pennisi listens to Adolphe Adam's 'Giselle' at Teatro dell'Opera di Roma

Profile. Suffering and Delight - Ron Bierman talks to conductor Rafael Payare

Ensemble. Conceived for TV - Giuseppe Pennisi experiences Teatro dell'Opera di Roma's 'La bohème'

Classical music news. April 2022 Newsletter - Watch and listen to our April 2022 newsletter

Ensemble. Two Performances of 'Turandot' in Rome - Giuseppe Pennisi attended one and saw the other on TV

Ensemble. Pierrot in Rome - Music by Arnold Schoenberg, Sylvano Bussotti and Giacomo Puccini, heard by Giuseppe Pennisi

Ensemble. Last of the Samurai - Adam J Sacks discusses the new Opera Hong Kong/Slovene National Theater Maribor co-production of Puccini's 'Madama Butterfly'

CD Spotlight. An Exquisite Compilation - A selection of popular orchestral music, recommended by Gerald Fenech. 'Spiritedly performed and superbly recorded ...'

Ensemble. The Orchestra is the Winner - Giuseppe Pennisi reviews 'La bohème' in Rome

Ensemble. A Transgressive Butterfly - Giuseppe Pennisi was in the audience in Rome

Ensemble. Fit for Streaming? - Giuseppe Pennisi investigates various current and recent opera productions

Ensemble. Bohème dated 1896 - Giuseppe Pennisi reviews Puccini, broadcast from Teatro Regio Torino in Italy

Ensemble. Horns and Headlights? - Ron Bierman reports on San Diego Opera's 'La bohème' from a parking lot in San Diego

Ensemble. A Nuanced, Idiomatic Portrayal - San Diego Opera's first drive-in opera - 'La bohème', appreciated by Maria Nockin

Ensemble. A Delightful Morning - Diana Damrau and Joseph Calleja sing live from Caserta in Italy as part of Met Stars Live in Concert, experienced by Maria Nockin

Ensemble. A Soothing Balm on our Troubled Time - Maria Nockin connects to Renée Fleming and Robert Ainsley's Metropolitan Opera recital from the Dumbarton Oaks Museum music salon in Washington DC

Ensemble. Bring Back the Blue and the Light - Maria Nockin was impressed by Jonas Kaufmann's recital with Helmut Deutsch in New York Metropolitan Opera's new 'Met Stars Live in Concert' series

Ensemble. Romantic Ideals - Patrick Maxwell visits Vienna for Puccini's 'Tosca'

120 Years Ago - A snapshot of the musical world at the turn of the twentieth century, by George Colerick

Ensemble. A Real Triumph - Giuseppe Pennisi experiences Puccini's 'Tosca', live in HD at the inauguration of La Scala's 2019-20 opera and ballet season

Ensemble. Italian Operas in Miskolc - Anett Fodor sends her final report from the 2019 Bartók Plus Opera Festival

Ensemble. A Repertory 'Tosca' - Giuseppe Pennisi considers Puccini's opera as a real orchestral masterpiece

Ensemble. Three Operas in Three Different Styles - Anett Fodor reports from Miskolc on La bohème, The Golden Dragon, Duke Bluebeard's Castle and a symphonic work by Scriabin

Ensemble. 'Music Makes a Town' - Anett Fodor reports from the opening gala of the 2019 Bartók Plus Opera Festival

Ensemble. Extreme Staging - Giuseppe Pennisi reports from Palermo on the opening of Teatro Massimo's 2019 opera season

Ensemble. Intelligence and Beauty of Tone - Maria Nockin experiences Puccini's 'The Girl of the Golden West' in HD from New York Metropolitan Opera

CD Spotlight. Appealing Work - Music for euphonium, heard by the late Howard Smith. '... it's the lyrical selections that reveal Frey at his finest.'

Ensemble. An Impervious Affair - 'Il Trittico' at the Puccini Festival, reviewed by Giuseppe Pennisi

Ensemble. Plus and Minus - Songs and arias from Jennifer Davis and Caroline Dowdle at the Buxton Festival, heard by Mike Wheeler

Ensemble. Daily Puccini - Malcolm Miller enjoys an opera lollipop recital in the city of the composer's birth

Ensemble. Richness of the Score - Puccini's 'La bohème' in Rome, heard by Giuseppe Pennisi

Ensemble. Stravinskian Credentials - Rossini, Poulenc and Saint-Saëns from Nottingham Harmonic Choir and the Hallé Orchestra, heard by Mike Wheeler

Ensemble. A Nasty Tale - Opera North's 'Madama Butterfly', reviewed by Mike Wheeler

Ensemble. Pure Joy - Puccini's 'La bohème' in high definition from New York Metropolitan Opera, heard by Maria Nockin

Ensemble. Bold and Daring - Contrasting Busoni and Puccini in Cagliari, reviewed by Giuseppe Pennisi

Profile. Magical Transformation - Ron Bierman talks to the American dramatic soprano Lise Lindstrom during rehearsals for Puccini's 'Turandot' at San Diego Opera

Ensemble. Traditional Settings - Puccini's 'Tosca' in high definition at New York Metropolitan Opera impresses Maria Nockin

Ensemble. Autumn Trilogy - Giuseppe Pennisi writes about three operas on the brink of the twentieth century, performed as a cycle in Ravenna

Ensemble. Beyond Expectation - Roderic Dunnett looks back to Nevill Holt Opera's 2017 'Tosca' and 'Noye's Fludde', and forward to the company's 2018 season

Ensemble. A Transatlantic Operatic Cooperation - Giuseppe Pennisi on Puccini's 'La fanciulla del West' in Cagliari

Ensemble. Vocally Splendid - Giuseppe Pennisi visits Florence, where the audience is enthralled by the first performance there of Puccini's 'La Rondine'

Ensemble. Psychoanalysis and 'Turandot' - Giuseppe Pennisi reports from the Macerata Opera Festival

Ensemble. Updating Tosca - Giuseppe Pennisi reports from Teatro dell'Opera di Roma

Ensemble. A bitter-sweet 'Swallow' - 'La Rondine' at the Puccini Opera Festival impresses Giuseppe Pennisi

Ensemble. A Keen Interest - A new 'Turandot' at the Puccini Festival, reviewed by Giuseppe Pennisi

Ensemble. A Fine Film - San Francisco Opera's 2008 film of Puccini's 'La bohème', reviewed by Maria Nockin

Ensemble. A Rare Butterfly - Giuseppe Pennisi was at La Scala for the start of the new season in Milan

Ensemble. Technicolour Redemption? - Two Puccini works at Opera North, reviewed by Mike Wheeler

Ensemble. Turandot for Children - Giuseppe Pennisi investigates a Puccini production with one hundred and fifty performances in twelve months

Ensemble. A Difficult Score - The new critical edition of Puccini's 'La Fanciulla del West', reviewed by Giuseppe Pennisi

Ensemble. In Two Parts - Puccini's 'Il Trittico' as seen by Michieletto and Rustioni, reviewed by Giuseppe Pennisi

Ensemble. A Fine Show - Madama Butterfly live in HD from New York, reviewed by Maria Nockin

Ensemble. Sensitive Expression - Puccini's 'Manon Lescaut' live in HD from New York Metropolitan Opera impresses Maria Nockin

Ensemble. An Asian Fairytale - Puccini's 'Turandot' live in HD from New York, enjoyed by Maria Nockin

CD Spotlight. Faultless Artistry - Maria Luigia Borsi sings Italian arias, recommended by the late Howard Smith. '... outstanding in every respect.'

Musical Prowess - Robert Anderson's 'Opera Nights and Nightmares', read by Gerald Fenech

Ensemble. Far from Traditional - Puccini operas in Rome, reviewed by Giuseppe Pennisi

Ensemble. Needle-sharp Vitality - Opera North's 'La Vida Breve', reviewed by Mike Wheeler

Ensemble. A Philological 'Tosca' - Giuseppe Pennisi reports from Rome

Ensemble. Welcome Rarities - James Sohre enjoyed his visit to Wexford Festival Opera

Ensemble. Daring and Bold - 'Madama Butterfly' and 'Il Trittico' at the Puccini Festival, discussed by Giuseppe Pennisi

Ensemble. Passionate Tones - La bohème in HD from The Met, appreciated by Maria Nockin

Ensemble. Decadent and Sarcastic - A Zemlinsky-Puccini double bill in Turin, reviewed by Giuseppe Pennisi

Ensemble. An Interesting Idea - Opera North's 'From Paris with Love', reviewed by Mike Wheeler

Ensemble. A Double Melodrama - Giuseppe Pennisi was at Puccini's 'Manon Lescaut', performed under difficult conditions in Rome

Ensemble. Beautifully Coordinated - Candace Evans' new production of Puccini's La bohème, reviewed by Maria Nockin

Ensemble. Good Sense - Turandot in Rome as written by Puccini, reviewed by Giuseppe Pennisi

Ensemble. Rather Impressive - Mark Berry experiences English National Opera's 'Madama Butterfly'

Ensemble. A Turning Point - Giuseppe Pennisi was at the 2013 Torre del Lago Festival for a new international production of 'Tosca' and a performance of 'Rigoletto' with young singers

Ensemble. A Rich Musical Season - Summer opera in Rome, heard by Giuseppe Pennisi

Ensemble. A Memorable Rendition - Puccini's 'Tosca' at Los Angeles Opera, reviewed by Maria Nockin

CD Spotlight. Tip Top Music - Tine Thing Helseth and Kathryn Stott, heard by Howard Smith. 'Ever full of daring ...'

Ensemble. Monumental Effect - Three companies combine forces, experienced by Maria Nockin

Ensemble. Luscious Vocal Colors - 'Tosca' at AZ Opera, reviewed by Maria Nockin

CD Spotlight. Powerful Drama - Puccini's 'Suor Angelica', heard by Robert Anderson. '... Nelsons and the WDR Symphony Orchestra of Cologne have done their best for Puccini ...'

Ensemble. A Sad Story - 'Madama Butterfly' at Los Angeles Opera, enjoyed by Maria Nockin

DVD Spotlight. Gallic to Teutonic - Opera Australia's 'La bohème', reviewed by Howard Smith. '... Park is suitably distraught ...'

Ensemble. An Elegant Staging - Chinese National Opera's 'Turandot' on tour, reviewed by Giuseppe Pennisi

Ensemble. A Relaxed Evening - Bill Newman attends a 'family sing-song' event in London

Ensemble. An Annual Delight - Maria Nockin visits Santa Fe for the summer opera season

Ensemble. Financial Stringency - Giuseppe Pennisi describes how the Puccini Opera Festival is at a turning point

Ensemble. Passion and Religion - Giuseppe Pennisi visits the 2012 Tyrol Festival for new productions of 'Lohengrin' and 'Tosca'

Ensemble. First Class - San Francisco Opera's film of Puccini's 'La bohème', seen by Maria Nockin

Ensemble. Blended Voices - La bohème at Los Angeles Opera, reviewed by Maria Nockin

Ensemble. A Japanese Tragedy - A new 'Butterfly' production in Rome, reviewed by Giuseppe Pennisi

Ensemble. An Interesting Ambience - Puccini's 'Madama Butterfly' at Arizona Opera, reviewed by Maria Nockin

CD Spotlight. A Fine Collection - Operatic bass arias sung by William Powers, heard by Paul Sarcich. '... a formidable mixture of operatic styles ...'

Ensemble. Superb Realms - Puccini's 'Il Trittico', reviewed by Robert Hugill

Ensemble. Santa Fe, The City Different - Maria Nockin enjoys the summer opera fare in North America's oldest capital city

Ensemble. Asian Aid - Giuseppe Pennisi was at the 2011 Puccini Festival

DVD Spotlight. A Disparate Experiment - 'Aria - Special Edition', reviewed by Howard Smith. 'You never know what you're gonna get.'

Ensemble. A Conductor's Opera - A new production of Puccini's 'La bohème' at Rome's Teatro dell'Opera, reviewed by Giuseppe Pennisi

Ensemble. Dramatically Potent - Robert Hugill was at Chelsea Opera Group's performance of Puccini's 'Manon Lescaut'

Profile. Humanizing Emotions - American conductor James Conlon talks to Maria Nockin

Ensemble. Different Couples - English Touring Opera's 'La Clemenza di Tito', reviewed by Robert Hugill

Emphasis on Personalities - John Adams' 'Nixon in China', reviewed by Maria Nockin

Ensemble. A Smooth Delivery - Maria Nockin was at San Diego for Puccini's 'Turandot'

Ensemble. For King, Country and Sex - Marco Tutino's 'Senso', experienced by Giuseppe Pennisi

Ensemble. Opulent and Effective - Puccini's 'Turandot' in Arizona, enjoyed by Maria Nockin

Ensemble. A Wonderful Rendition - Puccini's 'La Fanciulla del West' at the movies impresses Maria Nockin

Ensemble. Stunning Artistry - New York Metropolitan Opera's Verdi's 'Don Carlo' transmission, seen and heard by Maria Nockin

Ensemble. A Marvelous Job - Puccini's 'La Fanciulla del West', heard by Giuseppe Pennisi

Performances to Remember - Maria Nockin looks forward to San Diego Opera's 2011 season

A Rich Resource - Teresa Verde explains how Theodore Deacon makes opera come alive

Ensemble. Firmly in Period - Grange Park Opera's 'Madama Butterfly', reviewed by Robert Hugill

Ensemble. Very Welcome - Robert Hugill experiences Stephen Oliver's 'Euridice'

CD Spotlight. Almost a Transformation - David Rubinstein plays Busoni, heard by K C Devereaux. '... Rubenstein's hand is steady on the tiller.'

Ensemble. Truly Fascinating - A Santa Fe Opera digest, including the recent Kaye Edition of 'The Tales of Hoffmann', by Maria Nockin

Ensemble. Performance to Cherish - Lawrence Budmen submits a further report from the Tanglewood Festival 2010

Ensemble. Pure Joy - Giuseppe Pennisi finds 'Madama Butterfly' at the Puccini Festival a pleasure for the ears and the eyes

Ensemble. Eyes Tight Shut - 'La Fanciulla del West' at the Puccini Festival, reviewed by Giuseppe Pennisi

Ensemble. Opera in the Arena - Rebecca Schmid listens to Renée Fleming and the Berlin Philharmonic

Noteworthy Impressions - Greg Moomjy writes about the art of the outstanding production

Flowers of Light - Puccini's 'I crisantemi' as a pedagogical tool for piano performance majors, by Heidi Lowy

Ensemble. Intelligent and Satisfying - English National Opera's new production of 'Tosca', reviewed by Robert Hugill

Ensemble. An Excellent Staging - 'Madama Butterfly' at Rome's Teatro dell'Opera, appreciated by Giuseppe Pennisi

Ensemble. Under the Tuscan Sun - Giuseppe Pennisi attends the beginning of the Tiroler Festspiele 2010

Ensemble. A Top-notch Formation - Operas by Zemlinsky and Puccini, reviewed by Giuseppe Pennisi

Ensemble. A Successful Production - Sixty Leitmotives for 'Tosca', by Giuseppe Pennisi

Ensemble. Truly Memorable - A concert of arias at Arizona Opera impresses Maria Nockin

Ensemble. White Hot Intensity - Renée Fleming and the Russian National Orchestra at the Festival of the Arts Boca 2010, reviewed by Lawrence Budmen

Ensemble. A Bouquet of Bohèmes - Maria Nockin reviews one opera at two different venues

DVD Spotlight. Evident Delight - Puccini's 'La rondine', heard by Robert Anderson. '... exciting acrobatics ...'

Ensemble. Power and Depth - Puccini's 'Il Trittico', reviewed by Rebecca Schmid

Ensemble. Robust Voices - Susan Hampton visits Boston for Puccini's 'La bohème'

DVD Spotlight. Intensity and Concentration - Kurt Masur conducts Richard Strauss, reviewed by Kelly Ferjutz. '... beautifully and confidently performed ...'

Ensemble. A Different Rendition - Puccini's 'Tosca' on the big screen, reviewed by Maria Nockin

DVD Spotlight. Convincing Forcefulness - A documentary on Puccini's 'Madame Butterfly', seen by Gerald Fenech. '... riveting stuff ...'

Ensemble. Sterling Performances - Donizetti's 'Linda di Chamounix', heard by Robert Hugill

Ensemble. Truly Enjoyable - Maria Nockin was at Los Angeles Opera's 'La Traviata'

Ensemble. Student Life and Love - Puccini's 'La bohème' from Kentish Opera, enjoyed by Pippa Hare

Ensemble. Ringing Intensity - 'Madama Butterfly' from San Diego Opera, reviewed by Maria Nockin

CD Spotlight. Easy Listening - Christina Linhardt's 'Voodoo Princess', reviewed by K C Devereaux. 'The only voodoo conjured here is the dread spectre of "Smooth Jazz".'

Ensemble. Amazing Clarity - Greer Grimsley sings Scarpia in 'Tosca' from San Diego, experienced by Maria Nockin

Ensemble. Magical eloquence - The first night of Palm Beach Opera's revival of Bellini's 'Norma' provides a night to remember for Lawrence Budmen

Pure Fashion? - Several Composers in Search of an Identity, by Béla Hartmann

Ensemble. A Bright Future - Malcolm Miller was at the final night of the 2008 BBC Proms in London

Ensemble. Vocal Radiance - Maria Nockin reports on the beginning of a new season at Los Angeles Opera

Ensemble. Glorious Melody - British Youth Opera's 'La Rondine', reviewed by Robert Hugill

Ensemble. Highly Creditable - Puccini's 'Tosca' at the Verona Arena, reviewed by Robert Hugill

Ensemble. No Excuses Necessary - Robert Hugill enjoys Puccini's 'La Fanciulla del West' at Grange Park Opera

Ensemble. A Charming Rendition - Puccini's 'La Rondine', reviewed by Maria Nockin

Ensemble. Dramatically Exciting - Puccini's 'Tosca' at Los Angeles Opera, reviewed by Maria Nockin

Ensemble. An Auspicious Beginning - The first performance of a brand new opera company, marked by Maria Nockin

Artful Phrasing - 'La bohème' at Los Angeles Opera, reviewed by Maria Nockin

Ensemble. New Territory - An unusual version of Puccini's 'Turandot', reviewed by Robert Hugill

Ensemble. A Wonderful Experience - Two productions at Santa Fe Opera, reviewed by Maria Nockin

Limitless Combinatorics - Eric Pettine postulates 'No Shortage of Melodies Anytime Soon', and offers some real hope for cynical musicians who think they've heard it all

Ensemble. Companion Pieces - A Ravel / Puccini double bill, reviewed by Robert Hugill

Ensemble. A Godsend - Heritage Opera's 'La Bohème', reviewed by Roderic Dunnett

Ensemble. Dramatic Veracity - Puccini's 'Turandot' from St Louis, reviewed by Maria Nockin

Ensemble. Extremely Traditional - 'Madama Butterfly' in Arizona, reviewed by Maria Nockin

Ensemble. Expansive Romanticism - 'Madama Butterfly' from Long Island, reviewed by Maria Nockin

Ensemble. Infectious Verve - Puccini's 'La bohème' in New Hampshire, reviewed by Maria Nockin

Ensemble. Important Revelations - A gala concert presented by Arizona Opera, reviewed by Maria Nockin

DVD Spotlight. Terrifying Intensity - Puccini's 'Turandot', reviewed by Robert Anderson. '... brimful of imagination ...'

DVD Spotlight. Rigidly Puritanical - 'Madama Butterfly', reviewed by Robert Anderson. '... a strong yet tender account of Puccini's cunning score.'

Ensemble. Imaginative Artistry - 'Madama Butterfly' in Los Angeles, reviewed by Maria Nockin

DVD Spotlight. Radiance of reconciliation - Puccini's 'La Bohème', appreciated by Robert Anderson. '... never a dull visual moment ...'

Ensemble. Suspending disbelief? - 'Turandot' at Welsh National Opera, reviewed by Rex Harley

Ensemble. Verismo al fresco - Malcolm Miller enjoys Opera Holland Park's double bill of 'Suor Angelica' and 'I Pagliacci'

Ensemble - Fresh and engaging. Roderic Dunnett reports on Chisinau National Opera's 'Turandot'

Unusual chemistry - Roderic Dunnett was at the Chisinau National Opera's 'La Bohème'