Jeremy Sams - Classical Music Daily

RESOUNDING ECHOES: From 2022 until 2024, Robert McCarney's regular series featured little-known twentieth century classical composers.

DISCUSSION: John Dante Prevedini leads a discussion about Music and the Visual World, including contributions from Celia Craig, Halida Dinova and Yekaterina Lebedeva.

A selection of 'Jeremy Sams' articles

Ensemble. Balancing the Fun and the Seriousness - Mike Wheeler welcomes the return of Opera North's production of Mozart's 'The Magic Flute'

Ensemble. An Ambitious Conceit - Mike Wheeler is impressed by James Brining's production of Mozart's 'The Magic Flute'

Ensemble. A Figaro to Treasure - Opera North's Mozart impresses Mike Wheeler

Ensemble. An Extraordinary Performance - 'The Enchanted Island' live in HD, reviewed by Maria Nockin

Ensemble. Lively and Fluent - 'Orpheus in the Underworld' at London's Royal College of Music, reviewed by Robert Hugill

A Real Find - Robert Davies made a remarkable impact when he stood in as Papageno late in the run of English Touring Opera's 'The Magic Flute'; Roderic Dunnett profiles him and celebrates the progress of other ETO cast members

Ensemble. Crisp and Incisive - English Touring Opera's 'Magic Flute', enjoyed by Robert Hugill

Ensemble. Profoundly Satisfactory - English National Opera's new production of 'The Merry Widow', reviewed by Robert Hugill

Ensemble. Tremendous Energy - Kurt Weill's 'Arms and the Cow', reviewed by Mike Wheeler

All material © 1998-2025 Classical Music Daily,
various authors and photographers.
All rights of the original copyright holders
are reserved, and are credited where known.
Formerly known as Music & Vision –
The world's first daily classical music magazine
Founding Editor: Basil Ramsey (1929-2018);
Editor: Keith Bramich