Jeremy Sams - Classical Music Daily

Classical Music Daily

VIDEO INTERVIEW: Ona Jarmalavičiūtė talks to American choral conductor Donald Nally, director of The Crossing, in this fascinating, illustrated, one hour programme.

FROM ROME: Keep in touch with the Italian opera and classical music scene by reading Giuseppe Pennisi's regular reports.

PROVOCATIVE THOUGHTS:
The late Patric Standford may have written these short pieces deliberately to provoke our feedback. If so, his success is reflected in the rich range of readers' comments appearing at the foot of most of the pages.

A selection of 'Jeremy Sams' articles

Ensemble. An Ambitious Conceit - Mike Wheeler is impressed by James Brining's production of Mozart's 'The Magic Flute'

Ensemble. A Figaro to Treasure - Opera North's Mozart impresses Mike Wheeler

Ensemble. An Extraordinary Performance - 'The Enchanted Island' live in HD, reviewed by Maria Nockin

Ensemble. Lively and Fluent - 'Orpheus in the Underworld' at London's Royal College of Music, reviewed by Robert Hugill

A Real Find - Robert Davies made a remarkable impact when he stood in as Papageno late in the run of English Touring Opera's 'The Magic Flute'; Roderic Dunnett profiles him and celebrates the progress of other ETO cast members

Ensemble. Crisp and Incisive - English Touring Opera's 'Magic Flute', enjoyed by Robert Hugill

Ensemble. Profoundly Satisfactory - English National Opera's new production of 'The Merry Widow', reviewed by Robert Hugill

Ensemble. Tremendous Energy - Kurt Weill's 'Arms and the Cow', reviewed by Mike Wheeler

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