A selection of 'Verdi: Aida' articles

Profile. Big Roles - Ron Bierman talks to American soprano Michelle Bradley

Ensemble. Almost as Verdi would have Wanted - Giuseppe Pennisi was in the audience for 'Aida'

Ensemble. Mixed Feelings - Giuseppe Pennisi reviews the new Opéra de Paris production of 'Aida'

Ensemble. An Autumn Trilogy - 'Norma', 'Aida' and 'Carmen' in Ravenna, reviewed by Giuseppe Pennisi

Profile. Collecting Gems - Ron Bierman talks to the American tenor Carl Tanner

Ensemble. A Different 'Aida' - Denis Krief's new production in Rome, experienced by Giuseppe Pennisi

Ensemble. Nothing but Praise - Opera North's concert-staged 'Aida', reviewed by Mike Wheeler

Ensemble. Myriad Nuances of Color - Verdi's 'Aida' in high definition from New York Metropolitan Opera, reviewed by Maria Nockin

Ensemble. A Great Joy - Zambello's 'Aida' premieres at San Francisco Opera, by Maria Nockin

Ensemble. A Long Nocturne - Giuseppe Pennisi describes an intimate 'Aida' in Rome

Ensemble. Big Voices - Verdi's 'Aida', live in HD, reviewed by Maria Nockin

Ensemble. Particularly Sumptuous - Verdi's 'Aida' at Arizona Opera, reviewed by Maria Nockin

Ensemble. Some like it Old-fashioned - Verdi's 'Aida' began the 2012 season at Parma's Teatro Regio, and Giuseppe Pennisi was there

Ensemble. A Delicate Balance - Giuseppe Pennisi has mixed feelings about 'Aida' at the Baths of Caracalla

DVD Spotlight. A Disparate Experiment - 'Aria - Special Edition', reviewed by Howard Smith. 'You never know what you're gonna get.'

Ensemble. Riveting Characterization - Verdi's 'Otello' at Arizona Opera impresses Maria Nockin

Ensemble. Full of Irony - Shostakovich's 'The Nose', reviewed by Giuseppe Pennisi

Ensemble. The Quality of Mercy - Verdi's 'La Forza del Destino', heard by Giuseppe Pennisi

Ensemble. Great Vitality - Verdi's 'Don Carlo', heard by Robert Hugill

Ensemble. Dramatic Strength - The 'Glory of God' through three Verdi operas at the Sferisterio Festival 2010, reviewed by Giuseppe Pennisi

Ensemble. Eyes Tight Shut - 'La Fanciulla del West' at the Puccini Festival, reviewed by Giuseppe Pennisi

Profile. Important Skills - Maria Nockin talks to American mezzo Dolora Zajick

Ensemble. Atmosphere is Everything - Weber's 'Der Freischütz', reviewed by Robert Hugill

Ensemble. A Notable Success - Grange Park Opera's 'Norma', reviewed by Robert Hugill

Ensemble. Ringing Intensity - 'Madama Butterfly' from San Diego Opera, reviewed by Maria Nockin

Ensemble. A Rare Treat - Verdi's 'Aida' from Prescott, reviewed by Susan Hampton

Ensemble. Thoroughly Enjoyable - An Arizona winter treat of Verdi's 'Aida', enjoyed by Maria Nockin

Record Box. An Eloquent Interpretation - Choral music by Karol Szymanowski, enjoyed by Robert Anderson

Ensemble. Doomed Love - Verdi's 'Aida' at San Diego Opera, enjoyed by Maria Nockin

Ensemble. An Auspicious Beginning - The first performance of a brand new opera company, marked by Maria Nockin

Ensemble. A Must See - Maria Nockin was at Opera Pacific for Verdi's 'Aïda'

CD Spotlight. Wonderful sounds - Aida on Naxos Historical, reviewed by Robert Anderson. '... playing that is supple but capable also of maximum excitement.'

Resplendent panoply - Roderic Dunnett experiences the Chisinau National Opera