The French composer Charles Gounod was born in Paris on 17 June 1818 and died at St Cloud on 17 October 1893. His earlier years gave no real clue to his subsequent development. He was then involved with church music, organ playing, and even studying for the priesthood. But his commitment to composition became paramount, and for the rest of his days he followed this anxious pursuit. Perhaps he will be best remembered for the opera Faust, although his sojourn in England encouraged some oratorios for the big city choirs.
Ensemble. Three Divas - Maria Nockin reviews a streamed recital from Versailles, given by Ailyn Pérez, Nadine Sierra, Isabel Leonard, Vlad Iftinca and Pablo Sáinz-Villegas
Ensemble. Appreciation of Nature - Maria Nockin reviews a 'Met Stars' online concert from the Spanish Riding School in Vienna, featuring Anna Netrebko, Elena Maximova and Pavel Nebolsin
Ensemble. The Belcanto Concerts - Giuseppe Pennisi sends his last report from this year's Rossini Opera Festival in Pesaro
Ensemble. Bring Back the Blue and the Light - Maria Nockin was impressed by Jonas Kaufmann's recital with Helmut Deutsch in New York Metropolitan Opera's new 'Met Stars Live in Concert' series
Classical music news - Bocelli: Music for Hope - Andrea Bocelli and Emanuele Vianelli performed live from the Duomo in Milan on Easter Sunday
CD Spotlight. An Absolute Soprano - Giuseppe Pennisi listens to a recording by Marina Rebeka. '... perfect emission ... consummate technical skills ...'
Ensemble. A Remarkable Partnership - Mike Wheeler listens to music for violin and piano by Mozart, Brahms, Tchaikovsky, Wieniawski/Gounod and Debussy/Heifetz from Emmanuel Bach and Jennifer Hughes
CD Spotlight. Gounod's First Faust of 1859 - Giuseppe Pennisi listens to Christophe Rousset's new recording from Bru Zane. 'Everything is lighter, softer, more sensual.'
Profile. Spectacular Productions - George Colerick explores the rise and decline of French composer Charles Gounod
Ensemble. A Triumph - Alice McVeigh was at Covent Garden for the last performance of Gounod's 'Faust'
Ensemble. Expressive Progression - Mike Wheeler enjoys a concert by Stephen Hough, Mark Elder and the Hallé Orchestra
CD Spotlight. A Unique Snapshot - French music for Christmas, sung in Oxford by a Cambridge choir, heard by Keith Bramich. '... Christmas music, much of it well-known in Britain, sung in French in various original and unusual versions ...'
Ensemble. Plus and Minus - Songs and arias from Jennifer Davis and Caroline Dowdle at the Buxton Festival, heard by Mike Wheeler
Ensemble. A Spectacular Show - Charles Gounod's 'Romeo and Juliet' live in high definition from New York Metropolitan Opera impresses Maria Nockin
Ensemble. To the glory of St John Paul II - Giuseppe Pennisi samples The Vatican's recent festival of sacred music and art
Musical Prowess - Robert Anderson's 'Opera Nights and Nightmares', read by Gerald Fenech
Ensemble. Challenging, Versatile and Unexpected - Roderic Dunnett visits Hungarian State Opera
Ensemble. Colourful Treatment - French comedies launch the Buxton Festival, reviewed by Mike Wheeler
CD Spotlight. Nostalgic and Enthralling - A Joan Sutherland portrait, heard by Gerald Fenech. '... a fitting tribute to the singing legend from Australia ...'
Ensemble. Whizzy Visuals - Gounod's 'Faust', reviewed by Mike Wheeler
Ensemble. Expanding the Tale - Charles Gounod's 'Roméo et Juliette', enjoyed by Maria Nockin
Ensemble. Both Lyrical and Heart-wrenching - Gregory Moomjy experiences a Divaria Productions concert
DVD Spotlight. Olympic Scale - Charles Gounod's 'Roméo et Juliette', reviewed by Robert Anderson. 'Musically the performance deserves all the applause it gets.'
Ensemble. Shakespeare and Spielberg - Giuseppe Pennisi describes how Gounod's 'Roméo et Juliette' attracts a new audience in Verona
Ensemble. Excellent Stagecraft - Gounod's 'Faust' transmitted live in high definition from New York Metropolitan Opera, reviewed by Maria Nockin
Ensemble. A Triumphant Return - Gounod's 'Faust' at New York Metropolitan Opera, reviewed by Gregory Moomjy
CD Spotlight. A Fine Collection - Operatic bass arias sung by William Powers, heard by Paul Sarcich. '... a formidable mixture of operatic styles ...'
Ensemble. A Date with the Devil - Gounod's 'Faust' at Arizona Opera, reviewed by Maria Nockin
Ensemble. Romeo makes love to LA! - Barbier and Carré's version of Shakespeare, as set by Charles Gounod, reviewed by Maria Nockin
Ensemble. Santa Fe, The City Different - Maria Nockin enjoys the summer opera fare in North America's oldest capital city
Ensemble. Truly Beautiful - Gounod's 'Faust' at San Diego Opera delights Maria Nockin
Ensemble. Happy Melodies - Rossini's 'Il Turco in Italia' delights Maria Nockin
Ensemble. Beautifully Sung - An evening with Juan-Diego Flórez, by Robert Hugill
Performances to Remember - Maria Nockin looks forward to San Diego Opera's 2011 season
Ensemble. Finely Shaped - Gounod's 'Roméo et Juliette', heard by Robert Hugill
Ensemble. An Epic Opera - Rossini's 'William Tell', from Rome to the BBC Proms, by Giuseppe Pennisi
Ensemble. Performance to Cherish - Lawrence Budmen submits a further report from the Tanglewood Festival 2010
Ensemble. An Excellent Performance - Gounod's 'Romeo and Juliet' at San Diego Opera, enjoyed by Maria Nockin
Profile. Encouraging Others - Maria Nockin talks to Stephen Costello and Ailyn Perez, the young couple singing Gounod's 'Romeo and Juliet' this month at San Diego Opera
Ensemble. A Sizzling Rendition - 'Carmen' from Phoenix Opera impresses Maria Nockin
Ensemble. A Delightful Afternoon - Lawrence Budmen listens to the Chameleon Musicians
CD Spotlight. Virtuoso Credentials - Music for viola and piano by York Bowen, reviewed by Robert Anderson. '... above praise.'
Ensemble. Gallic Elegance - Gounod's 'Roméo et Juliette', enjoyed by Mike Wheeler
CD Spotlight. A Generous Earful - Peter Dawson favourites from Gregory Yurisch and the Tasmanian Symphony, enjoyed by Howard Smith. '... in this repertoire they hardly miss a trick.'
Ensemble. Vibrant production - Gounod's 'Faust' at Palm Beach Opera, reviewed by Lawrence Budmen
Writing new opera - A composer's perspective, by Robert Hugill