A selection of 'Susan Bickley' articles
Ensemble. Noteworthy and Sometimes Momentous - Roderic Dunnett visits the UK's Garsington Opera for Britten's 'The Turn of the Screw'
Ensemble. Totally Individual - The first performance of David Sawer's opera 'The Skating Rink' impresses Roderic Dunnett
Ensemble. Centres of Excellence - Roderic Dunnett looks back to the 2017 Three Choirs Festival at Worcester, and forward to 2018 in Hereford
Ensemble. Handled with Brilliance - Opera North's 'Die Walküre' impresses Mike Wheeler
Ensemble. An Overwhelming Theatrical Experience - Opera North brings Janácek's 'Jenufa' to Nottingham, reviewed by Mike Wheeler
Ensemble. Frustratingly Patchy - Charpentier's 'Louise', reviewed by Mike Wheeler
Ensemble. Mesmerising Power - Julian Anderson's new opera 'Thebans', reviewed by Roderic Dunnett
Ensemble. A Grand Sea Symphony? - Giuseppe Pennisi was at a concert performance in Rome of Britten's 'Peter Grimes'
Ensemble. Forever Ingrained - Gregory Moomjy pays tribute to New York City Opera
Ensemble. Less is More - Handel's 'Jephtha' at Buxton, reviewed by Mike Wheeler
Ensemble. A Riotous Production - Mark Anthony Turnage's 'Anna Nicole', reviewed by Robert Hugill
Ensemble. Political Overtones - George Benjamin's 'Into the Little Hill', reviewed by Mike Wheeler
Ensemble. Power and Expressiveness - Janácek's 'Katya Kabanova', reviewed by Robert Hugill
Ensemble. Black Comedy - Prokofiev's 'The Gambler' impresses Robert Hugill
Ensemble. Profoundly Satisfying - 'Theodora' at the London Handel Festival, enjoyed by Robert Hugill
Ensemble. Profoundly Moving - Bellini's 'I Capuletti e I Montecchi', enjoyed by Robert Hugill
Ensemble. Magical - A Stravinsky and Purcell double bill at Opera North, enjoyed by Mike Wheeler
Ensemble. Strange Bedfellows - 'Les Noces' and 'Dido and Aeneas' at Opera North in Leeds. Patric Standford was at the first night on 5 May 2007
Ensemble. Vivid energy - Gerald Barry's new opera 'Petra von Kant', reviewed by Robert Hugill
Ensemble. Truly magnificent - Handel's 'Jephtha' at the London Coliseum, reviewed by Robert Hugill.