Handel: Amadigi di Gaula

Handel: Amadigi di Gaula

CHSA 0406(2) (Chandos Records, SACD, 2 discs)

FIRST RELEASE (16 September 2022)

Playing time: 80'11"/77'05" - TT 157'16"
Tracks: 32 + 34
Booklet pages: 118
℗ 2022 Chandos Records Ltd
© 2022 Chandos Records Ltd
Main country of recording: United Kingdom
Reviewer: Gerald Fenech
Review of Handel: Amadigi di Gaula published on 12 September 2022

Mary Bevan, soprano
Tim Mead, countertenor
Anna Dennis, soprano
Hilary Summers, contralto
Patrick Terry, countertenor
Chorus and Orchestra of Early Opera Company
Christian Curnyn, conductor

George Frideric Handel (1685-1759):

Amadigi di Gaula, HWV 11 (1715) - an opera in three acts on an anonymous adaption of the libretto Amadis de Grèce by Antoine Houdar de La Motte


1-2 Overture

3-26 Act I

27-32 Act II


1-17 Act II (conclusion)

18-34 Act III

The countertenor Tim Mead leads an all-star cast in the Early Opera Company's recording of Handel's Amadigi di Gaula, conducted by Christian Curnyn. The opera was first performed, in London, in 1715, in the first season under the reign of George I, at the King's Theatre on the Haymarket. The complex, twisting plot features the lovers Amadigi and Oriana, imprisoned by the sorceress Melissa (who seeks Amadigi's love). His ally Dardano turns against Amadigi, his former friend, when he realises that they both love Oriana and he sides with Melissa. Her plans are repeatedly foiled, and true love triumphs at the final curtain! Amadigi is considered the finest of Handel's early London operas in terms of musical sophistication, theatrical pacing, and a perfectly balanced exploration of the interconnected relationships, motivations, and emotional divergences among just four dissimilar yet equally arresting characters.

Recorded 29 November – 3 December 2021 at St Jude on the Hill, Hampstead Garden Suburb, London UK.