RECENT: Defining Our Field - what is 'classical music' to us, why are we involved and what can we learn from our differences? Read John Dante Prevedini's essay, watch the panel discussion and make your own comments.
Barbara Sealock writes about classical music for Clavier, Playbill, Choir & Organ, Strings, La Scena Musicale, and other publications. She is a contributor to the book 21st Century Cellists and, in 2001, founded the former website, classicalfocus.com, where she contributed Boston-based classical news and content for four years. Her features on travel, culture, and the arts are published widely.
Paul Lewis' high altitude performance dazzles his Chicago audience
Martha Argerich and friends in Lugano. 'Among the recorded gems of 2013 ...'
J S Bach's 'St John Passion' from Music of the Baroque conducted by Jane Glover
Chicago's Music of the Baroque season opens with Beethoven and Mozart
Vassily Primakov plays Rachmaninov. '... a triumph in more ways than one.'
The Muti era lays claim to Chicago