RECENT: Defining Our Field - what is 'classical music' to us, why are we involved and what can we learn from our differences? Read John Dante Prevedini's essay, watch the panel discussion and make your own comments.
CD Spotlight. Judged to Perfection - Baroque oboe sonatas played by Xenia Löffler, strongly recommended by Geoff Pearce. '... played very pleasingly with great style and panache by all instruments concerned.'
Classical music news. Obituary - Michael Gielen (1927-2019)
Classical music news. Three Composers - Three Continents - A new cello concerto is being written for German cellist Jan Vogler and will be performed at the 2019 Dresden Festival. 'Our world today could be just like this particular cello concerto: colourful, rich in contrast and in happy cultural coexistence.'
CD Spotlight. Programmatic Intentions - Karl Goldmark's Rustic Wedding Symphony, heard by Stephen Francis Vasta. 'Conductor Frank Beermann displays a nice feel for the sonorities: the overture's slow introduction is nicely layered, and clear textures render the lyric passages even more fetching.'
Punk Transformed? - Keith Bramich has lunch with Torsten Rasch, Roderic Dunnett and others, at the Three Choirs Festival
CD Spotlight. Unorthodox Fusion - Tango choral works by Martín Palmeri, heard by Gerald Fenech. '... sacred and profane are skillfully enmeshed with wonderfully successful results.'
CD Spotlight. Rapturous Creations - Trio Karénine plays Robert Schumann piano trios, and impresses Gerald Fenech. '... commanding authority, rewarding depth and devil-may-care exuberance ...'
Ensemble. Sensitive Handling - Brahms, Elgar and Beethoven from the Dresden Philharmonic Orchestra impress Mike Wheeler
Ensemble. Fairy-tale Magic - Mike Wheeler listens to the Dresden Philharmonic Orchestra
CD Spotlight. Striking Power - Leslie Howard plays Rachmaninov, heard by Howard Smith. '... a staggering technique.'
Ensemble. A Complete Delight - Wagner's 'Die Walküre' at New York Metropolitan Opera, enjoyed in HD from Arizona by Maria Nockin
CD Spotlight. Positively Spellbinding - Music for clarinet, piano and cello, enjoyed by Howard Smith. '... a fine recording ...'
CD Spotlight. Somewhat Lacklustre - Tchaikovsky and Shostakovich, heard by Howard Smith. '... a tumultuous, dynamic conclusion.'
CD Spotlight. Still Misunderstood - Blomstedt conducts Brucker 4, heard by George Balcombe. '... playing magic ...'
Ensemble. A Memorable Night - The Israel Camerata Orchestra Jerusalem, heard by Giuseppe Pennisi
CD Spotlight. Powerful and Concise - Blomstedt conducts Richard Strauss, heard by Robert Anderson. '... a composer of infinite promise ...'
Ensemble. Airborne Fingers - A BPSE lunchtime recital by Harvey Dagul and Isobel Beyer, praised by Malcolm Troup
Ensemble. Contemporary Resonance - Grange Park Opera's 'Capriccio', enjoyed by Robert Hugill
CD Spotlight. Flight of Eloquence - Blomstedt conducts Bruckner, heard by Robert Anderson. '... opulence and splendour ...'
CD Spotlight. Chicago Baroque - Trio Settecento's A German Bouquet, recommended by Malcolm Tattersall. '... very fine performances of some rarely heard but attractive music ...'
Ensemble. Sheer Tension - The first performance of the unabridged 'Elektra' enthralls the audience, related by Giuseppe Pennisi
Ensemble. Energy and Imagination - Beethoven from Louis Lortie, Kurt Masur and the Cleveland Orchestra, reviewed by Lawrence Budmen
Ensemble. New and Different - 'Rheingold' from Los Angeles, recommended by Maria Nockin
Ensemble. 'Daphne' in the Desert - Karen Haid was in Santa Fe for the Richard Strauss one-act opera
Ensemble. Dramatic Punch - Richard Strauss's 'Salomé', reviewed by Maria Nockin
Ensemble. A Light Touch - Mozart's 'The Magic Flute', enjoyed by Maria Nockin
Ensemble. Close to Perfection - Arizona Opera's 'The Flying Dutchman', enjoyed by Maria Nockin
CD Spotlight. Vital inspiration - Music by Heinrich Schütz, reviewed by Robert Anderson. '... expressively at one with the music.'
CD Spotlight. Variable sonorities - Reacting to Chopin and Schumann, by Robert Anderson. '... some moments might well have caused Chopin to block his ears and flee across the Channel ...'