A selection of 'Bizet: Carmen' articles

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Ensemble. Appealingly Varied - Mike Wheeler listens to a cello and piano recital given by Kathryn Monteiro and Joanna Lam

Ensemble. Charm, Skill and Versatility - Ron Bierman listens to Isabel Leonard and Pablo Sáinz-Villegas in festive mood

Ensemble. A Sleek, Focused Sound - Mike Wheeler reports on Opera North's production of Bizet's 'Carmen' in Nottingham

Ensemble. Great Emphasis on Detail - Giuseppe Pennisi enjoys streamed performances of a Carmen double bill in Rome

Ensemble. An Autumn Trilogy - 'Norma', 'Aida' and 'Carmen' in Ravenna, reviewed by Giuseppe Pennisi

Profile. Tragic Expression - George Colerick discusses Georges Bizet, as the most vital French opera composer since Berlioz

Ensemble. 'Carmen' Redeemed - James Sohre reports from San Francisco

Ensemble. Perfect for the Role - Ginger Costa-Jackson in Bizet's 'Carmen' at San Diego Opera, reviewed by Ron Bierman

Profile. Convincing Performances - Ron Bierman talks to American mezzo Ginger Costa-Jackson

Ensemble. A Brand New 'Carmen' Ballet - Giuseppe Pennisi reports from the opening night at Teatro dell'Opera di Roma

Ensemble. Is 'Carmen' for Children? - Giuseppe Pennisi attends a special Opera Domani performance

Ensemble. Forcefully Engaging - A school production of 'Carmen', reviewed by Mike Wheeler

Ensemble. Very Moving - A Roland Petit soirée at Opera di Roma, experienced by Giuseppe Pennisi

Ensemble. Sensual and Immoral - A new production of 'Carmen' stirs a mini-International Controversy, by Giuseppe Pennisi

Ensemble. Lots of Tinsel - Derby Concert Orchestra's Christmas concert, reviewed by Mike Wheeler

Ensemble. Carmen Lite-ful (Rhymes with Frightful) - James Sohre sends the last of his reports from San Francisco

Thus Spoke Nietzsche - Daniel Sampaio marks some interesting anniversaries

Ensemble. Grim and Shivery Intensity - Bizet's 'Carmen' at Nevill Holt Opera impresses Roderic Dunnett

Ensemble. Tragedy to Come - Maria Nockin experiences one of this era's best productions of 'Carmen', live in HD from New York Metropolitan Opera

Ensemble. Thoroughly Delightful - Maria Nockin visits Santa Fe Opera and experiences all of their 2014 productions

Ensemble. More Powerful - 'Carmen' in Bizet's original version, reviewed by Giuseppe Pennisi

Ensemble. A Good Night for Singing - Los Angeles Opera's 'Carmen', reviewed by Maria Nockin

CD Spotlight. Top Notch - Magdalena Kozená's Carmen, recommended by Gerald Fenech. '... sheer and utter brilliance in every department.'

Ensemble. The Turning Point - Giuseppe Pennisi was in eastern Sicily for the opening night of Teatro Massimo Bellini's 2012 season - a low cost but high quality 'Carmen'

Ensemble. Uncurbed Impulses - Bizet's 'Carmen' at San Diego Opera, appreciated by Maria Nockin

Ensemble. Psychological Portraits - Opera North's 'Carmen', experienced by Mike Wheeler

Ensemble. Mediterranean Splendour - Dancing to Bizet's 'L'Arlésienne' and 'Carmen', by Giuseppe Pennisi

Performances to Remember - Maria Nockin looks forward to San Diego Opera's 2011 season

Ensemble. Brisk and Powerful - 'Carmen' in Tucson, enjoyed by Maria Nockin

Ensemble. Admirable Precision - Maria Nockin reviews Arizona Opera's 'The Pirates of Penzance'

CD Spotlight. Marvelously Incisive - Rózsa and Korngold violin concertos, recommended by Howard Smith. '... breathtaking virtuosity from soloist and orchestra alike.'

Ensemble. Convincing and Engrossing - Robert Hugill visits the Gut Immling Festival for a performance of Wagner's 'The Flying Dutchman'

Sensitively Played - A recital by Stephen Disley, heard by Mike Wheeler

Ensemble. Special Praise - Bizet's 'Carmen' at Kentish Opera, enjoyed by Pippa Hare

Ensemble. Colourful and Large Scale - Francesca Zamballo's production of 'Carmen', reviewed by Robert Hugill

Ensemble. The Real Thing - Spanish music from the Hallé Orchestra, reviewed by Mike Wheeler

CD Spotlight. Musical Finesse - Songs by Gregg Kallor, recommended by Howard Smith. 'Go to the top of the class.'

Ensemble. A Bombshell - Carmen at the movies, by Maria Nockin

Ensemble. A False Start - 'Carmen' at La Scala, reviewed by Giuseppe Pennisi

Ensemble. A Sizzling Rendition - 'Carmen' from Phoenix Opera impresses Maria Nockin

A Real Find - Robert Davies made a remarkable impact when he stood in as Papageno late in the run of English Touring Opera's 'The Magic Flute'; Roderic Dunnett profiles him and celebrates the progress of other ETO cast members

Ensemble. Dramatic Essentials - 'Carmen' from Paris, enjoyed by Robert Hugill

CD Spotlight. A Lyric Voice - Arias performed by Vania Vatralova-Stankov, reviewed by Robert Hugill. '... a richness and depth ...'

Record Box. Many Pleasures - Music for guitar quartet, recommended by Ron Bierman

Ensemble. Lively Playing - A concert by Zephyr, appreciated by Mike Wheeler

Old and New Worlds - Ioana Osoianu talks to Keith Bramich about her life in the East and West

Ensemble. A Concentrated Distillation - Peter Brook's 'La Tragedie de Carmen', reviewed by Robert Hugill

CD Spotlight. A Generous Earful - Peter Dawson favourites from Gregory Yurisch and the Tasmanian Symphony, enjoyed by Howard Smith. '... in this repertoire they hardly miss a trick.'

Ensemble. Revisiting with Pleasure - Summer at Longborough Festival Opera, enjoyed by Roderic Dunnett

Ensemble. Somewhat Controversial - 'Carmen' in Santa Fe, reviewed by Maria Nockin

Gossip and Rebellion - Robert Hugill writes about the history of the first performance of Bizet's 'Carmen'

Ensemble. Shimmering Harmonies - San Diego Opera's 'Carmen' delighted Maria Nockin

Faust and the 'Free World' - Madeline Jenkins Millard tells the tale of Tresa Waggoner and the Bennett Six

Ensemble. Operatic delights - Canadian Opera Company's Altamira Summer Arts Concerts, reviewed by Malcolm Miller

Ensemble. A surefire hit - Bizet's 'Carmen' at Stowe Opera, appreciated by Roderic Dunnett

Record box. The Spanish Guitar - Ron Bierman listens to excerpts from previous Naxos releases

Ensemble - Mixed results. A critical view of Chisinau National Opera's 'Carmen' from Roderic Dunnett

Engaging and original - Malcolm Miller enthuses about English National Opera's 2001 Carmen revival