RESOUNDING ECHOES with Robert McCarney

The Obscure Wait

Hello, good afternoon, and welcome to 'The Obscure Wait', today's episode of Resounding Echoes. I am going to start today with a first for this programme, in that I find myself in the thus far unprecedented postion of being able to play an excerpt from a brand spanking new recording, no less. But let's listen to a little before I say any more ...

Listen — Robert McCarney: The Obscure Wait
(Resounding Echoes)
© 2024 Robert McCarney :

Resounding Echoes: The Obscure Wait

Copyright © 29 September 2024 Robert McCarney,
León, Spain

-------

The Obscure Wait

Kurt Weill: Symphony No 1 (1921)
Konzerthaus Orchester Berlin / Joana Mallwitz

Josef Matthias Hauer: Nachklangstudien, Op 16 (1919)
Herbert Henck, piano

Aarre Merikanto: Six Piano Pieces, Op 20 (1920)
Liisa Pohjola, piano

Gian Francesco Malipiero: String Quartet No 1 (1920)
Orpheus Quartet

Charles Koechlin: Piano Quintet, Op 80 (1917-21)
Sarah Lavaud, piano; Antigone Quartet

Ernst Krenek: String Quartet No 1, Op 6 (1921)
Petersen Quartet

Erich Wolfgang Korngold: Die Tote Stadt (1920)
Munich Radio Orchestra / Erich Leinsdorf

The music at the very start and end of this programme has been created specially for the Resounding Echoes series by Swiss composer Daniel Schorno.

There's further information about Robert's Resounding Echoes series here.

You can read more articles here about Arnold Schoenberg, twentieth century, piano music, orchestral music, Austria, Finland, Italy and the USA.

The background image on this page have been derived from an AI-generated image based on the text 'The Obscure Wait'.

 

 << Home              Next programme >>