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DISCUSSION: Defining Our Field - what is 'classical music' to us, why are we involved and what can we learn from our differences? Read John Dante Prevedini's essay, watch the panel discussion and make your own comments.
SPONSORED: Ensemble. Last Gasp of Boyhood. Roderic Dunnett investigates Jubilee Opera's A Time There Was for the Benjamin Britten centenary.
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Ensemble. Serious Emotional Turmoil - Mike Wheeler finds that the ending of Opera North's 'Così fan tutte' works brilliantly
CD Spotlight. A Marriage between Drama and Comedy - Gerald Fenech is impressed by recordings of five Mozart operas. '... I have never heard Mozart played with such finesse and beauty.'
Ensemble. Paths of Excellence - Giuseppe Pennisi reports via live stream on the Ravenna Festival Mozart/Da Ponte Trilogy
Ensemble. Questionable Stage Direction - Giuseppe Pennisi reviews Riccardo Muti's 'Così fan tutte' at Teatro Regio di Torino
Drastically Revised - Giuseppe Pennisi looks at the detail of the replanned 2020 Salzburg Festival
Ensemble. Fully Engaged - Richard Dacey steps down from his post as musical director of Derby Choral Union with a concert of Mozart, Vivaldi and Beethoven, heard by Mike Wheeler
Ensemble. A Controversial Così - Giuseppe Pennisi was in the audience at Teatro dell'Opera di Roma
Ensemble. Eros and Philosophy - Giuseppe Pennisi's last report from this year's Salzburg Festival features a new production of Mozart's 'Così fan tutte'
Ensemble. Mixed Feelings - Mozart's 'Così fan tutte', reviewed by Giuseppe Pennisi
Ensemble. Anti-romantic Opera - Opera North's 'Così fan tutte', recommended by Mike Wheeler
Ensemble. Truly Exquisite - Mozart's Così fan tutte, live in high definition from New York, enjoyed by Maria Nockin
Ensemble. New Directions - Giuseppe Pennisi reports on Mozart, Verdi and Wagner operas from Salzburg's summer festival
Ensemble. Infectious Verve - Los Angeles Opera's 'Così fan tutte', reviewed by Maria Nockin
Ensemble. A Real Triumph - The 2011 Sferisterio Festival, reviewed by Giuseppe Pennisi
Ensemble. Vitally Sung - Heritage Opera's 'Così fan tutte' impresses Roderic Dunnett
CD Spotlight. A Sympathetic Hand - Jane Glover accompanies Felicity Lott's Mozart, heard by Robert Anderson. '... joyous music-making.'
Ensemble. Lively and Fluent - 'Orpheus in the Underworld' at London's Royal College of Music, reviewed by Robert Hugill
A Rich Resource - Teresa Verde explains how Theodore Deacon makes opera come alive
Profile. Two Americans in Paris - Maria Nockin talks to Vivica Genaux and Lawrence Brownlee
Ensemble. Unmitigated Fun - Covent Garden at the cinema, experienced by Maria Nockin
Ensemble. Human Nature - A staged 'Così fan tutte' at Severance Hall in Cleveland, enjoyed by Kelly Ferjutz
Ensemble. Particularly Effective - Mozart's 'Così fan tutte', heard by Mike Wheeler
Ensemble. A Fine Rendition - 'Così fan tutte' at Arizona Opera, reviewed by Maria Nockin
Ensemble. Rollicking Action - Mozart's 'Marriage of Figaro' in Cleveland, enjoyed by Kelly Ferjutz
Ensemble. Truly Special - Kelly Ferjutz enjoys Dvorák's 'Rusalka'
DVD Spotlight. Safe Passage? - Mozart's 'Così fan tutte', reviewed by Robert Anderson. '... a disappointing monument ...'
Ensemble. Consummate Style - Robert Hugill is won over by English National Opera's 'Orfeo'
Ensemble. Elected endings - 'Così fan tutte' at Lyric Opera Cleveland, appreciated by Kelly Ferjutz