A selection of 'Aix-en-Provence' articles
Aix and Pains - Giuseppe Pennisi previews the 2021 edition of the Aix-en-Provence Festival
A Double Career - Giuseppe Pennisi describes his life as an economist in the world of music
Ensemble. General Tendencies - Giuseppe Pennisi visits Aix-en-Provence for three operas and an orchestral concert
DVD Spotlight. Double Murder - Richard Strauss's 'Elektra', reviewed by Robert Anderson. '... the whole cast has been exemplary under the masterful direction of Esa-Pekka Salonen.'
Ensemble. Household Rituals - Contemporary and modern music at Aix-en-Provence, heard by Giuseppe Pennisi
Ensemble. Different Women - 'Electra' and 'Elena' at Aix-en-Provence, reviewed by Giuseppe Pennisi
Ensemble. The Quality of Mercy - Giuseppe Pennisi visits the 2011 Aix-en-Provence Festival and reports on four of the six operas
Ensemble. Brilliantly Dispatched - Ian McEwan and Michael Berkeley's 'For You', reviewed by Giuseppe Pennisi
Ensemble. 'Alceste' in the Madhouse - Giuseppe Pennisi files his last report from the 2010 Aix-en-Provence Festival
The Past Cannot Be Changed - Oscar Strasnoy's 'Un Retour', recommended by Giuseppe Pennisi
CD Spotlight. Playing Rameau - Interpretations by Stephen Gutman, recommended by George Balcombe. '... not a million miles away from jazz.'
Ensemble. Splendid Ideas - Stravinsky's 'Le Rossignol' impresses Giuseppe Pennisi
Ensemble. Nearly a Male Lulu - 'Don Giovanni' in Aix-en-Provence, a black comedy of sex and loneliness, reviewed by Giuseppe Pennisi
CD Spotlight. A Glistening Treasury - Songs with orchestra from Deborah Riedel, enjoyed by Howard Smith. '... a bounteous seam of unfamiliar, wholly blissful vocal gems ...'
DVD Spotlight. Insightful Performances - 'Die Walküre' from Provence, experienced by Maria Nockin. 'The cast is excellent.'
DVD Spotlight. Safe Passage? - Mozart's 'Così fan tutte', reviewed by Robert Anderson. '... a disappointing monument ...'
Ensemble. Hauntingly beautiful - Britten's 'A Midsummer Night's Dream' at the London Coliseum, reviewed by Robert Hugill