DISCUSSION: Defining Our Field - what is 'classical music' to us, why are we involved and what can we learn from our differences? Read John Dante Prevedini's essay, watch the panel discussion and make your own comments.
The Sixteen also makes recordings on its own label, CORO, and, in partnership with the Genesis Foundation, offers the UK's first fully-funded choral training programme for young singers, Genesis Sixteen.
Ensemble. Everything you know is wrong! - Mike Wheeler listens to The Sixteen in Derby
CD Spotlight. Artistic Heritage - Music by Henry Purcell and John Taverner, unreservedly recommended by Gerald Fenech. '... the singing and playing are consistently warm and passionate ...'
Ensemble. Lively and Joyful - Vivaldi, J S Bach and Handel from The Sixteen, reviewed by Mike Wheeler
Ensemble. Spine-tingling - Mike Wheeler is impressed by Harry Christophers and The Sixteen on tour
Ensemble. Bringing Together - Roderic Dunnett visits James MacMillan's Cumnock Tryst
Ensemble. Expressive Power - Malcolm Miller listens to The Sixteen's 'The Earth Resounds'
Ensemble. Exuberantly Florid Writing - Mike Wheeler listens to António Teixeira's Te Deum
Ensemble. Sing ye to the Lord - Roderic Dunnett was at the 2009 Hereford Three Choirs Festival
Making a Real Fuss - Robert Hugill looks forward to English Touring Opera's HandelFest this autumn
Ensemble. Focused Intensity - Purcell and MacMillan from The Sixteen, heard by Mike Wheeler
Ensemble. A Rich Sound - Handel's 'Samson', enjoyed by Robert Hugill
Ensemble. A Spellbound Audience - The Sixteen at Stour Music, reviewed by Pippa Hare and Rosie Evelegh
Cathy Berberian - Never knowingly misunderstood - Jennifer Paull questions the focus of the lens of musical history