A selection of 'Los Angeles Opera' articles

Classical music news - A New Worker-owned Cooperative - American classical recording company Soundmirror has transitioned to employee ownership

Classical music news. November 2021 Newsletter - Watch and listen to our November 2021 newsletter

Classical music news. Defining Our Field - Classical Music Daily's June 2021 Newsletter is a panel discussion led by John Dante Prevedini, and has just been published as a video podcast

Classical music news. Plácido Domingo - The Spanish tenor has been accused of multiple sexual harrassment

Ensemble. Druid Priestess Conquers LA - James Sohre is impressed by Bellini's 'Norma'

Ensemble. A Little More Human - Jack Perla's 'Jonah and the Whale', enjoyed by Maria Nockin

Ensemble. Film Noir - 'The Magic Flute' from Berlin's Komische Oper, reviewed by Maria Nockin

Ensemble. A Conductor's Opera - Verdi's 'Falstaff' at Los Angeles Opera, reviewed by Maria Nockin

Ensemble. A Good Night for Singing - Los Angeles Opera's 'Carmen', reviewed by Maria Nockin

Ensemble. A Memorable Rendition - Puccini's 'Tosca' at Los Angeles Opera, reviewed by Maria Nockin

Ensemble. Theatrical Genius - Rossini's 'La Cenerentola' delights Maria Nockin

Ensemble. Fatal Obsession - Wagner's 'Flying Dutchman' at Los Angeles Opera, experienced by Maria Nockin

Ensemble. A Sad Story - 'Madama Butterfly' at Los Angeles Opera, enjoyed by Maria Nockin

Ensemble. Virile and Robust - Mozart's 'Don Giovanni' at Los Angeles Opera, recommended by Maria Nockin

Ensemble. A Fascinating Show - Verdi's 'I Due Foscari' at Los Angeles Opera, reviewed by Maria Nockin

Ensemble. Blended Voices - La bohème at Los Angeles Opera, reviewed by Maria Nockin

Ensemble. Emotional Shifts - Verdi's 'Simon Boccanegra' at Los Angeles Opera, enjoyed by Maria Nockin

Ensemble. Romeo makes love to LA! - Barbier and Carré's version of Shakespeare, as set by Charles Gounod, reviewed by Maria Nockin

Ensemble. Infectious Verve - Los Angeles Opera's 'Così fan tutte', reviewed by Maria Nockin

Ensemble. A fine performance - Tchaikovsky's 'Eugene Onegin' at Los Angeles Opera, enjoyed by Maria Nockin

Profile. Humanizing Emotions - American conductor James Conlon talks to Maria Nockin

Ensemble. In Fine Style - George Frideric Handel's 'L'Allegro, Il Penseroso ed Il Moderato', reviewed by Maria Nockin

Ensemble. Surprisingly Believable - Britten's 'The Turn of the Screw' impresses Maria Nockin

Ensemble. An Exciting Evening - Jonas Kaufmann's Los Angeles recital impresses Maria Nockin

Ensemble. Happy Melodies - Rossini's 'Il Turco in Italia' delights Maria Nockin

Ensemble. Stunning Artistry - New York Metropolitan Opera's Verdi's 'Don Carlo' transmission, seen and heard by Maria Nockin

Ensemble. Consummate Virtuosity - Bryn Terfel, Esa-Pekka Salonen and the Los Angeles Philharmonic in Hindemith and Wagner, appreciated by Maria Nockin

Ensemble. A Wonderful Surprise - Los Angeles Opera's 'Rigoletto', enjoyed by Maria Nockin

Ensemble. True Ear Candy - Wagner's 'Lohengrin' at L A Opera, enjoyed by Maria Nockin

Ensemble. Beautifully Phrased - Los Angeles Opera's 'The Marriage of Figaro', welcomed by Maria Nockin

Ensemble. A Magnificent Piece - Daniel Catán's 'Il Postino' impresses Maria Nockin

Profile. Finding the Right Voice - Maria Nockin talks to American composer Daniel Catán

Profile. Important Skills - Maria Nockin talks to American mezzo Dolora Zajick

Ensemble. Maximum Interest - A double bill from Los Angeles Opera impresses Maria Nockin

Thoroughly Impressed - Maria Nockin talks to baritone Alan Opie, who is about to sing Germont for San Diego Opera

Ensemble. Excellent Singing - Handel and Rossini from Los Angeles Opera impress Maria Nockin

Ensemble. A Fine Rendition - 'Così fan tutte' at Arizona Opera, reviewed by Maria Nockin

Ensemble. Authority and Charisma - Wagner's 'Siegfried', reviewed by Maria Nockin

Ensemble. A Gala Atmosphere - Maria Nockin reports from Los Angeles Opera's opening night 'L'Elisir d'amore'

Ensemble. Truly Enjoyable - Maria Nockin was at Los Angeles Opera's 'La Traviata'

Ensemble. Recovered Voices - Two operas in Los Angeles over the Easter weekend, enjoyed by Maria Nockin

Ensemble. New and Different - 'Rheingold' from Los Angeles, recommended by Maria Nockin

Ensemble. An Absolute Delight - Maria Nockin finds perfection in Los Angeles Opera's revival of Peter Hall's 1993 production of 'The Magic Flute'

Ensemble. Vocal Radiance - Maria Nockin reports on the beginning of a new season at Los Angeles Opera

Ensemble. A Charming Rendition - Puccini's 'La Rondine', reviewed by Maria Nockin

Ensemble. Dramatically Exciting - Puccini's 'Tosca' at Los Angeles Opera, reviewed by Maria Nockin

Ensemble. A Fitting Celebration - Plácido Domingo's Fortieth Anniversary Gala, reviewed by Maria Nockin

Ensemble. Of Purest Heart - An unusual double bill at LA Opera impresses Maria Nockin

Ensemble. Radiant Loveliness - 'Tristan and Isolde' at Los Angeles Opera, reviewed by Maria Nockin

Ensemble. An Auspicious Beginning - The first performance of a brand new opera company, marked by Maria Nockin

Artful Phrasing - 'La bohème' at Los Angeles Opera, reviewed by Maria Nockin

Ensemble. Simply Glorious - Los Angeles Opera revives 'Don Giovanni', by Maria Nockin

Ensemble. Stunning Precision - Janácek's 'Jenufa' in LA, reviewed by Maria Nockin

Ensemble. A Blockbuster Weekend - Beethoven's 'Fidelio' and Verdi's 'Requiem' at Los Angeles Opera, reviewed by Maria Nockin

Ensemble. Infectious Melodies - Torroba's zarzuela 'Luisa Fernanda' at Los Angeles Opera, enjoyed by Maria Nockin

Ensemble. Smiles on Faces - 'The Merry Widow' from Los Angeles Opera, reviewed by Maria Nockin

Ensemble. Always a Thrill - Los Angeles Opera's production of Wagner's 'Tannhäuser', reviewed by Maria Nockin

Ensemble. Distant Sound - LA Opera's 'Recovered Voices', reviewed by Maria Nockin

Ensemble. Lustrous Sounds - Kurt Weill's 'The Rise and Fall of the City of Mahagonny', reviewed by Maria Nockin

Ensemble. A Very Unusual Evening - Monteverdi's 'L'incoronazione di Poppea', reviewed by Maria Nockin

Ensemble. Squeals of Delight - LA Opera's 'Hansel and Gretel', enjoyed by Maria Nockin

Ensemble. A Great Credit - Massenet's 'Manon' at LA Opera, appreciated by Maria Nockin

Ensemble. A Sumptuous Display - Verdi's 'Don Carlo' at LA Opera, appreciated by Maria Nockin

Ensemble. Enchanting as Ever - Los Angeles Opera's 'La Traviata', reviewed by Maria Nockin

Ensemble. Vocally and Visually Spectacular - Maria Nockin at the première of Goldenthal's opera 'Grendel, Transcendence of the Great Big Bad'

Ensemble. Imaginative Artistry - 'Madama Butterfly' in Los Angeles, reviewed by Maria Nockin