DISCUSSION: John Dante Prevedini leads a discussion about Composers, individuals or collective?, including contributions from David Arditti, Halida Dinova, Robert McCarney and Jane Stanley.
SPONSORED: Ensemble. A view from the pit - John Joubert's Jane Eyre, praised by Alice McVeigh.
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Ensemble. The 'Alice in Wonderland' Phenomenon - Frances Forbes-Carbines listens to Andrea Bocelli presented using innovative sound technology to an audience of twenty thousand
Ensemble. 'De-Screening' - Jeffrey Neil investigates the marvellous score for the 1939 film 'The Wizard of Oz'
Classical music news - A Bridge Between Genres - Beethovenfest Bonn features the first appearance of Israeli-American conductor Yoel Gamzou's new kind of orchestra, bridging genres and playing 50% first performances
Profile. Beautiful Things - Ona Jarmalavičiūtė talks to Croatian-American musician and peace activist Nenad Bach, who finds the power of music undeniable, like the power of love
Ensemble. A Riotous Production - Mark Anthony Turnage's 'Anna Nicole', reviewed by Robert Hugill
CD Spotlight. Utmost Clarity - William Appling plays Joplin and Bach, heard by Howard Smith. '... consistently four square, honest, unpretentious ...'
CD Spotlight. Highly Engaging - Emma Johnson plays Bernstein, Copland and Dankworth, recommended by Ron Bierman. '... outstanding performances ...'
Music for Musicians Only? - The public turns a deaf ear to improvised music. As for classical music, Jan Dahlstedt claims that having abandoned improvisation, classical music entered a sidetrack from which it has never escaped, thus badly stifling creative progress. If he is guilty of heresy or may have a point, read on and judge for yourself.
Murdering Classical Music - A Speculative History of the Present, by Gordon Rumson