RECENT: Defining Our Field - what is 'classical music' to us, why are we involved and what can we learn from our differences? Read John Dante Prevedini's essay, watch the panel discussion and make your own comments.
Michael Finnissy was born in London on 17 March 1946. He studied composition in London and Rome. His brilliance as a pianist matches his reputation as a composer. CDs of Finnissy playing his own music and of Finnissy as an arranger of Gershwin's music have been reviewed in this magazine.
CD Spotlight. Fascinating Work - Grieg and Finnissy for piano quintet, heard by Robert Anderson. '... the whole disc is an unexpected serendipity.'
CD Spotlight. Consummate Skill - Music for newly designed oboes impresses Patric Standford. '... as fascinating and challenging as it is revelatory.'
DVD Spotlight. Seen and Heard - Modern music from the Kreutzer Quartet, reviewed by Howard Smith. '... whimsical, fickle and modernistic ...'
CD Spotlight. A Stimulating Recital - Contemporary music for oboe and ensemble, heard by Patric Standford. '... a wide range of interest.'
Bizarre Perception - Alistair Hinton discusses a recent article on English music by David Hamilton
Ensemble. A Brilliant Idea - A Bernard Stevens celebration at London's Wigmore Hall, reviewed by Bill Newman
Record box. Tour-de-force - Patric Standford listens to recent music for solo flutes, played by Nancy Ruffer
CD Spotlight. Sonic embroidery - The music of Richard Emsley, reviewed by Patric Standford. '... a more or less complete portrait of the composer's identity.'
Record box - American spiritual. Marilyn Nonken plays new piano works written for her, investigated by Keith Bramich