DISCUSSION: What is a work? John Dante Prevedini leads a discussion about The performing artist as co-creator, including contributions from Halida Dinova, Yekaterina Lebedeva, Béla Hartmann, David Arditti and Stephen Francis Vasta.
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DISCUSSION: John Dante Prevedini leads a discussion about Composers, individuals or collective?, including contributions from David Arditti, Halida Dinova, Robert McCarney and Jane Stanley.
CD Spotlight. Brilliantly Executed - John Kitchen plays British Light Music by Arthur Sullivan and Michael Thomson, heard by Gerald Fenech. 'A gem of a disc full of wit, warmth and colour ...'
Sibelius and Myth - George Colerick discusses Finnish culture and asks if Sibelius was one of the greatest melodists
Ensemble. Elegant as well as Functional - Thomas Adès' 'The Tempest' live in HD, enjoyed by Maria Nockin
Ensemble. Unmissable Talents - An array of artists at London's Wigmore Hall, reviewed by Bill Newman
CD Spotlight. Lyrical Richness - Arensky Piano Trios, heard by Robert Anderson. 'The Rachmaninov Trio Moscow plays with obvious affection for the music and enviable skill.'
CD Spotlight. Instinctive Artistry - Jill Crossland plays Mozart and Beethoven, heard by Howard Smith. '... a distinctive, beautifully considered performance.'
Real Individuality - Julian Jacobson was at the 2010 Beethoven Intercollegiate Piano Competition
Ensemble. A Consistently High Standard - Julian Jacobson reports from the 2009 Beethoven Intercollegiate Piano Competition
Ensemble. Unity of Conception - Malcolm Troup was at the BPSE Summer Festival in London
Talented Youth - Malcolm Miller was at the 2009 Beethoven Junior Intercollegiate Piano Competition
CD Spotlight. Inspired Sibelius - Music for the theatre fascinates Robert Anderson. 'Again BIS has done the great master proud.'
Ensemble. A Sizzling Account - 'The Tempest' by Thomas Adès, reviewed by Maria Nockin
CD Spotlight. Pungent Sonorities - Arthur Honegger's 'Le Roi David', reviewed by Mike Wheeler
Record box. A recital to value - Lute solos and songs by Robert Johnson from Shakespeare's England, reviewed by Patric Standford
Ensemble. Involving and magical - Robert Hugill experiences Thomas Adès's opera 'The Tempest'