DISCUSSION: Defining Our Field - what is 'classical music' to us, why are we involved and what can we learn from our differences? Read John Dante Prevedini's essay, watch the panel discussion and make your own comments.
VIDEO PODCAST: Come and meet Eric Fraad of Heresy Records, Kenneth Woods, musical director of Colorado MahlerFest and the English Symphony Orchestra and others.
UPDATES: There's a new feature every day at Classical Music Daily. Read about the various ways we can keep in touch with you about what's happening here.
CD Spotlight. Brilliantly Executed - John Kitchen plays British Light Music by Arthur Sullivan and Michael Thomson, heard by Gerald Fenech. 'A gem of a disc full of wit, warmth and colour ...'
Sibelius and Myth - George Colerick discusses Finnish culture and asks if Sibelius was one of the greatest melodists
Ensemble. Elegant as well as Functional - Thomas Adès' 'The Tempest' live in HD, enjoyed by Maria Nockin
Ensemble. Unmissable Talents - An array of artists at London's Wigmore Hall, reviewed by Bill Newman
CD Spotlight. Lyrical Richness - Arensky Piano Trios, heard by Robert Anderson. 'The Rachmaninov Trio Moscow plays with obvious affection for the music and enviable skill.'
CD Spotlight. Instinctive Artistry - Jill Crossland plays Mozart and Beethoven, heard by Howard Smith. '... a distinctive, beautifully considered performance.'
Real Individuality - Julian Jacobson was at the 2010 Beethoven Intercollegiate Piano Competition
Ensemble. A Consistently High Standard - Julian Jacobson reports from the 2009 Beethoven Intercollegiate Piano Competition
Ensemble. Unity of Conception - Malcolm Troup was at the BPSE Summer Festival in London
Talented Youth - Malcolm Miller was at the 2009 Beethoven Junior Intercollegiate Piano Competition
CD Spotlight. Inspired Sibelius - Music for the theatre fascinates Robert Anderson. 'Again BIS has done the great master proud.'
Ensemble. A Sizzling Account - 'The Tempest' by Thomas Adès, reviewed by Maria Nockin
CD Spotlight. Pungent Sonorities - Arthur Honegger's 'Le Roi David', reviewed by Mike Wheeler
Record box. A recital to value - Lute solos and songs by Robert Johnson from Shakespeare's England, reviewed by Patric Standford
Ensemble. Involving and magical - Robert Hugill experiences Thomas Adès's opera 'The Tempest'