Signum Classics is a privately owned and steadily growing independent CD label founded in 1997 and based in West London, England. The label has a catalogue of about three hundred titles. It is a sister company to the production and engineering service company Floating Earth, and has an impressive list of recording artists. Signum organises the manufacturing and distribution for Philharmonia Records. The label also looks after and is re-issuing the catalogue of Cala Records.
Further information: signumrecords.com
Spotlight. Synergies of Tradition - John Dante Prevedini is impressed by the Christmas music of Patrick Hawes. '... meticulously conceived across every perceptible dimension ...'
Spotlight. Groundbreaking Extremes - Gerald Fenech unreservedly recommends recordings of eighteenth century 'sturm und drang' music. 'Ian Page and his Mozartists deliver performances of the highest artistic standards ...'
Profile. A Spiritual Journey - Roderic Dunnett takes an extended look at the career of English composer Ian Venables, and listens to a recent performance of the orchestral version of his Requiem
CD Spotlight. Glittering and Colourful - Orchestral music by Respighi, heard by Geoff Pearce. 'This is a lovely disc which will delight most listeners ...'
CD Spotlight. Irish Coffee - Giuseppe Pennisi listens to Puccini's 'La bohème' from Irish National Opera. 'The excellent Italian diction of all the singers, both the protagonists and those in secondary roles, is remarkable.'
CD Spotlight. Borrowing Music by Other Composers - Gerald Fenech unreservedly recommends the compilation opera 'Caio Fabbricio'. '... brilliant performances from both singers and players ...'
CD Spotlight. Underground Virtuosity - John Dante Prevedini listens to viol consort suites by Matthew Locke. 'Locke's imitative counterpoint shines through with a crispness and clarity ...'
CD Spotlight. Existential Uncertainty - Symphonic and chamber music by Christopher Gunning, recommended by Gerald Fenech. '... both performances are nothing short of exhilarating ...'
CD Spotlight. Gloomy and Worthless? - Sergei Rachmaninov's First Symphony impresses Gerald Fenech. 'Ashkenazy and his Philharmonia forces exude a quite brilliant performance full of explosive intensity and exuberance, and yet when warranted, their sensitive attention to detail is consistently refreshing.'
CD Spotlight. Off the Wall? - The King's Singers' Christmas Songbook, heard by Keith Bramich. 'Each track ... is heavily arranged ...'
CD Spotlight. Trailblazing Scores - Sacred music by Jonathan Harvey inspires Gerald Fenech. '... beautifully executed and recorded ...'
CD Spotlight. Jazzy and Sleazy - Will Todd's 'Alice', recommended by Roderic Dunnett. '... this disc should be on everyone's shelves.'
CD Spotlight. Excellent on All Fronts - Music for cello and orchestra, recommended by Gerald Fenech. 'Jamie Walton exudes warm and committed performances ...'
CD Spotlight. Tonal Beauty - The Carducci Quartet plays Shostakovich, recommended by Stephen Francis Vasta. '... you really couldn't improve on this issue as an introduction.'
Ensemble. Absolutely Luminous - Thomas Bowes plays the Barber Violin Concerto, and impresses Alice McVeigh
CD Spotlight. Style and Imagination - Paul McCreesh's Christmas album, recommended by Keith Bramich. '... high-quality British Christmas music from the Gabrieli Consort ...'
CD Spotlight. An Unqualified Winner - Christmas music from Voces 8, recommended by Howard Smith. '... breathtaking clarity.'
CD Spotlight. A Fresh Voice - Choral music by Bob Chilcott, heard by Andrew Schartmann
CD Spotlight. Lightness and Sparkle - Bruckner's Symphony No 4, heard by Bill Newman. 'Totally recommended.'
CD Spotlight. Beauteous Tone - Flautist Lisa Friend's debut disc, heard by Howard Smith. '... pleasing and ideally accomplished.'
CD Spotlight. Imitative Textures - Choral music by Giaches de Wert, heard by Robert Anderson. 'The singing is of the standard King's College effortlessly produces.'
Record Box. Richly Moving - Jamie Walton plays Shostakovich, recommended by Alice McVeigh