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CorrespondenceFEEDBACK: She said WHAT? Read what people think about our Classical Music Daily features, and have your say!

Mary Mogil talks about the 2021 Salzburg FestivalVIDEO PODCAST: Discussion about Bernard Haitink (1929-2021), Salzburg, Roger Doyle's Finnegans Wake Project, the English Symphony Orchestra, the Chopin Competition Warsaw, Los Angeles Opera and other subjects in our hour-long November 2021 video.

John Dante Prevedini leading the 'Defining Our Field' discussionDISCUSSION: Defining Our Field - what is 'classical music' to us, why are we involved and what can we learn from our differences? Read John Dante Prevedini's essay, watch the panel discussion and make your own comments.

A selection of 'David Alden' articles

Ensemble. Intrigue, Amusement and Confusion - Keith Bramich is impressed by Covent Garden's new production of Wagner's 'Lohengrin'

Ensemble. Resplendent Performances - Verdi's Otello launches English National Opera's 2014-15 season in David Alden's new production, reported by Malcolm Miller

Ensemble. Food for Thought - Giuseppe Verdi's 'Un ballo in maschera', considered by Maria Nockin

DVD Spotlight. Decrees of Fate - Handel's 'Deidamia', reviewed by Robert Anderson. 'Musically the opera bowls along with both speed and distinction; visually it is vaudeville.'

Ensemble. An Annual Delight - Maria Nockin visits Santa Fe for the summer opera season

Ensemble. Strongly Musical - Handel's 'Radamisto' at the London Coliseum, reviewed by Robert Hugill

Ensemble. Power and Expressiveness - Janácek's 'Katya Kabanova', reviewed by Robert Hugill

Ensemble. A Different Sort of Beauty - Janácek's 'The Cunning Little Vixen', reviewed by Robert Hugill

Ensemble. Coherently Brilliant - Robert Hugill was at the opening performance of English National Opera's 'Peter Grimes'

Ensemble. A Delicate Balance - Cavalli's 'La Calisto', reviewed by Robert Hugill

Ensemble. Passion and Commitment - English National Opera's 'Jenufa', appreciated by Robert Hugill

Ensemble. Gripping Stuff - Handel's 'Ariodante' at English National Opera, enjoyed by Robert Hugill

  • Latest
    • Sponsored features
    • Live Performance Reviews
    • CD Reviews
    • New Releases
    • Classical Music News
    • Previews
    • Obituaries
    • Competitions
    • Interviews and Profiles
    • Press releases
    • General Articles
    • Comments
    • Forthcoming concerts
    • Festivals and masterclasses
    • In-depth features
    • Newsletters
  • People
    • Gerald Fenech
    • Giuseppe Pennisi
    • Mike Wheeler
    • Geoff Pearce
    • Adam J Sacks
    • Patrick Maxwell
    • Ron Bierman
    • Stephen Francis Vasta
    • John Dante Prevedini
    • Matt Spangler & Lucy Mauro
    • Helene Kamioner
    • Roderic Dunnett
    • Halida Dinova
    • France Gaignard
    • Keith Bramich
    • Simon Farrugia
    • Fareed Curmally
    • Etain O'Longaigh
  • Places
    • Germany
    • Finland
    • Vietnam
    • United Kingdom
    • Ireland
    • United States of America
    • Italy
    • Russia
    • France
    • Austria
    • Hungary
    • Spain
    • Ukraine
    • Czech Republic
    • Poland
    • Netherlands
    • China
    • Canada
  • Topics
    • nineteenth century
    • opera
    • vocal music
    • sacred music
    • orchestral music
    • contemporary music
    • rock music
    • choral music
    • piano music
    • classical crossover
    • twentieth century
    • Coronavirus disease 2019
    • violin music
    • cello music
    • 21st century
    • chamber music
    • eighteenth century
    • clarinet music
  • Interact
    • About us
    • Contact us
    • Updates
    • Search
    • Your privacy
    • Sponsorship
    • Donations
    • Send material
    • Write for us
    • Home page

 

 

All material © 1998-2022 Classical Music Daily,
various authors and photographers.
All rights of the original copyright holders
are reserved, and are credited where known.
Formerly known as Music & Vision –
The world's first daily classical music magazine
Founding Editor: Basil Ramsey (1929-2018);
Editor: Keith Bramich