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A screenshot from our March 2021 video newsletterVIDEO PODCAST: Come and meet Eric Fraad of Heresy Records, Kenneth Woods, musical director of Colorado MahlerFest and the English Symphony Orchestra and others in our hour-long March 2021 video.

John Dante Prevedini leading the 'Defining Our Field' discussionDISCUSSION: Defining Our Field - what is 'classical music' to us, why are we involved and what can we learn from our differences? Read John Dante Prevedini's essay, watch the panel discussion and make your own comments.

PROVOCATIVE THOUGHTS: Patric Standford (1939-2014). Photo © 2011 Sophie Standford
The late Patric Standford may have written these short pieces deliberately to provoke our feedback. If so, his success is reflected in the rich range of readers' comments appearing at the foot of most of the pages.

A selection of 'Calgary' articles

CD Spotlight. The New Civic Composer - John Dante Prevedini listens to music by young Canadian Daniel Pelton. '... a remarkable collaboration uniting forces across Calgary's entire musical landscape despite extraordinary logistical hurdles.'

Profile. Paul Zicheng Fu: A Life in Music - Gordon Andrew R investigates a Chinese-born composer who has settled in Canada

Classical music news. Peter Forbes - A recently retired medical doctor launches Forbes International Artist Management to help a new generation of classical musicians

An Integral Part - Lindsey Wallis looks forward to the Canadian Music Centre's tribute concert to composer Roberta Stephen

Imaginative Heights - Gordon Rumson looks forward to the Calgary Art Song Competition

Ensemble. Dangers Transcended - A concert by Trio Albonata, enjoyed by Gordon Rumson

CD Spotlight. A great starting point - Land's End Chamber Ensemble's first CD, reviewed by Malcolm Tattersall. '... first-rate performances and excellent production.'

But the daring! - Gordon Rumson reports on a Paul Badura Skoda recital in Calgary

Inner sounds - Philip Glass played in Calgary, and Gordon Rumson was in the audience

All in Calgary - Gordon Rumson writes about the Royal Bank Calgary International Organ Festival and Competition, 7-17 August 2002

  • Latest
    • Sponsored features
    • Live Performance Reviews
    • CD Reviews
    • Classical Music News
    • Obituaries
    • Interviews and Profiles
    • Previews
    • New Releases
    • Competitions
    • Press releases
    • General Articles
    • Comments
    • Forthcoming concerts
    • Festivals and masterclasses
    • In-depth features
    • Newsletters
  • People
    • Gerald Fenech
    • Giuseppe Pennisi
    • Mike Wheeler
    • Geoff Pearce
    • Patrick Maxwell
    • Ron Bierman
    • Helene Kamioner
    • John Dante Prevedini
    • Stephen Francis Vasta
    • Matt Spangler & Lucy Mauro
    • Roderic Dunnett
    • Halida Dinova
    • France Gaignard
    • Keith Bramich
    • Simon Farrugia
    • Adam J Sacks
    • Fareed Curmally
    • Gordon Andrew R
  • Places
    • Austria
    • Venezuela
    • Canada
    • Denmark
    • France
    • Switzerland
    • United Kingdom
    • Germany
    • Spain
    • Bulgaria
    • Italy
    • Argentina
    • United States of America
    • Russia
    • Hungary
    • Ukraine
    • Czech Republic
    • Poland
  • Topics
    • orchestral music
    • vocal music
    • cello music
    • choral music
    • harp music
    • nineteenth century
    • twentieth century
    • opera
    • clarinet music
    • piano music
    • contemporary music
    • violin music
    • 21st century
    • eighteenth century
    • chamber music
    • Coronavirus disease 2019
    • string music
    • guitar music
  • Interact
    • About us
    • Contact us
    • Updates
    • Search
    • Your privacy
    • Sponsorship
    • Donations
    • Send material
    • Write for us
    • Home page

 

 

All material © 1998-2022 Classical Music Daily,
various authors and photographers.
All rights of the original copyright holders
are reserved, and are credited where known.
Formerly known as Music & Vision –
The world's first daily classical music magazine
Founding Editor: Basil Ramsey (1929-2018);
Editor: Keith Bramich