PODCAST: John Dante Prevedini leads a discussion about Classical Music and Visual Disability, including contributions from Charlotte Hardwick, Robert McCarney, Halida Dinova and Giuseppe Pennisi.
25 YEARS: Classical Music Daily celebrates twenty-five years of daily publication with an hour-long video featuring some of our regular contributors.
An English Pastoral
SOMMCD 0700 (Somm Recordings, CD)
DDD
(not selected) (18 April 2025)
℗ 2025 Somm Recordings
© 2025 Somm Recordings
Main country of recording: United Kingdom
Country of manufacture: European Union
Allocated to a reviewer
on 7 March 2025
Chu-Yu Yang, violin
Eric McElroy, piano
Music by Ian Venables, Gerald Finzi, Ivor Gurney and Arthur Bliss
Somm Recordings focuses here on Ivor Gurney, Arthur Bliss and Gerald Finzi who, each in their own distinct way, played a pivotal role in the rapid transformation of English pastoralism in early twentieth-century British Music. Ian Venables' music, also included on this disc, draws on a lineage that includes Gurney, Bliss and Finzi, yet it incorporates modernist elements, creating a style that is uniquely his own. The seven works for violin and piano by Ivor Gurney - appearing here for the first time - come from 1908-1909, pre-dating his studies in London with Charles Villiers Stanford. They include the poignant Elgarian Chanson Triste, In September and In August, a Romance, a Legende, a melodic Folk Tale and a rare attempt at a lighter mood with a Humoreske. Arthur Bliss was wounded in the Battle of the Somme, and his single-movement Violin Sonata marks a transition in his musical style in response to the emotional and cultural upheaval of the War. Bridging the pastoral warmth of his early influences with the bold innovations that would soon define his voice, the sonata captures the last traces of English pastoral romanticism in Bliss's output. The Elegy for Violin and Piano by Gerald Finzi exudes a pastoral tranquillity, but beneath its serene surface lies a complex emotional landscape shaped by the personal grief of losing his three brothers and his beloved teacher, Ernest Farrar, in World War I. This present performance also emphasises the Elegy's contrapuntal texture and rhythmic precision, which show the influence of Bach, a cornerstone of Finzi's musical inspiration. The recital opens and closes with works by Ian Venables, widely regarded as one of Britain's most accomplished living composers. His two-movement Sonata from 1989 begins with a melancholic dialogue of introspective lyricism between the violin and piano. By contrast, the second movement exhibits a virtuosic interplay of the instruments. The Three Pieces for Violin and Piano come from 1986, shortly after Venables moved to Worcester, and they capture his response to the Severn Valley landscape. The opening Pastorale conveys a tranquil yet expressive simplicity; the Romance is more reflective and introspective; while the final Dance showcases Venables' ability to inject energy and playfulness into his music. The award-winning Taiwanese violinist Joe Chu-Yu Yang, whose career in Britain is beginning to flourish, is a passionate advocate for British music and founder of the British Music Festival in Taiwan. He performs in recital as a duo with Eric McElroy, whose debut CD, Tongues of Fire, featuring his own works for piano and tenor, was released on SOMMCD 0665.