Ensemble

Microtonal Trills and Tremolos

Luca Luciano pushes the boundaries of clarinet playing,
impressing MIKE WHEELER

 

Carl Nielsen once characterised the clarinet as 'at once warm-hearted and completely hysterical, gentle as balm and screaming like a tramcar on poorly lubricated rails.' There was all of that and more in Luca Luciano's Derby Cathedral lunchtime recital - Derby, UK, 31 May 2019.

Most of the programme consisted of his own music. If the subtitle of his Sequenza No 1, 'Il Prescelto' (The Chosen One) is intended as an allusion to The Rite of Spring, I didn't notice any direct musical references. But there was plenty of expressive and technical variety to engage with, from flutter-tonguing, passages of isolated notes standing out like sparks against a barely audible background, breaks into Benny Goodman-esque swing, to rasping, throaty growling.

Derby Cathedral Lunchtime Concerts and Organ Recitals, Summer 2019
Derby Cathedral Lunchtime Concerts and Organ Recitals, Summer 2019

Luciano began Stravinsky's Three Pieces for Clarinet Solo in a reticent, exploratory frame of mind, unleashing a torrent of notes in No 2, which he capped with an incisive, dancing account of the third.

In his own She likes Vivaldi, the third movement of 'Winter' from The Four Seasons was the starting point for a brief but fascinating study in echo effects. It was complemented by his take on Gershwin's 'Summertime', full of beguiling embellishments and improvisatory sections.

Luca Luciano
Luca Luciano

Finally, more of Luciano's own original work - the haunting Study in Quarter-tones; Study in Microtonal Trills and Tremolos, in which he produced trills using a finger-tip on an open key-hole; and Nos 4 and 5 from his sequence of Fragments, both of them exploring multiphonics, No 5 using the technique to create drone effects.

As with his visit to Derby last year, this was more than just a compendium of extreme clarinet playing, but a rewarding exploration of the expressive possibilities of pushing the instrument's technical boundaries, as well as the huge dynamic and expressive range that Nielsen commented on.

Copyright © 11 June 2019 Mike Wheeler,
Derby UK

-------

 << Home              Next review >>

 

 

All material © 1998-2019 Classical Music Daily,
various authors and photographers.
All rights of the original copyright holders
are reserved, and are credited where known.
Formerly known as Music & Vision
The world's first daily classical music magazine
Founding Editor: Basil Ramsey (1929-2018);
Editor: Keith Bramich