RECENT: Composers Daniel Schorno and John Dante Prevedini discuss creativity, innovation and re-invention with Maria Nockin, Mary Mogil, Giuseppe Pennisi and Roderic Dunnett in our hour-long April 2021 video.
RECENT: Defining Our Field - what is 'classical music' to us, why are we involved and what can we learn from our differences? Read John Dante Prevedini's essay, watch the panel discussion and make your own comments.
Ensemble. Figaro via Laugh-in - Ron Bierman reviews San Diego Opera's parking-lot production of Rossini's 'The Barber of Seville'
Ensemble. Rollicking Comedy - Maria Nockin reports from San Diego Opera's drive-in performances of Rossini's 'The Barber of Seville'
Ensemble. Hundreds of Thousands in Line for a Barber - A new Rome production of Rossini's 'Barber of Seville' especially for TV, reviewed by Giuseppe Pennisi
CD Spotlight. Beautifully Played - Castelnuovo-Tedesco's Cello Concerto, heard by Alice McVeigh. 'Brinton maintains a clear, sonorous and resonant sound even in the highest register, though he could perhaps have been willing to take a few more risks.'
Ensemble. An Overwhelming Success - Pier Luigi Pizzi's new 'Barber of Seville' enthralls the Rossini Opera Festival, by Giuseppe Pennisi
Ensemble. Rossini in The Quarry - 'The Barber of Seville' at an unusual venue in Hungary, praised by Anett Fodor
Ensemble. Not Entirely New - Giuseppe Pennisi experiences a double 'Barber of Seville' in Rome
Rossini's Revenge - The first of three new 'Barber of Seville' productions marking the opera's bicentenary, reviewed by Giuseppe Pennisi
Ensemble. Exuberant Delight - Opera North's 'The Barber of Seville', enjoyed by Mike Wheeler
Ensemble. A Great Deal of Fun - Maria Nockin enjoys Rossini's 'Barber of Seville' in HD from New York
Ensemble. Avant-garde and Fun - 'The Barber of Seville' at the Rossini Opera Festival, enjoyed by Giuseppe Pennisi
Ensemble. Simply Exquisite - Rossini's 'The Barber of Seville' at San Diego Opera, enjoyed by Maria Nockin
Ensemble. All the Ingredients - Giuseppe Pennisi describes a rather half-baked 'Barber of Seville'
Ensemble. New Respect - Rossini's 'The Barber of Seville' at New York Metropolitan Opera, reviewed by Gregory Moomjy
Ensemble. Total Concentration - Juan Diego Flórez sings Rossini's 'Le Comte Ory', reviewed by Maria Nockin
Ensemble. Orchestral Nuances - Thanks to a sparkling 'Barber of Seville', Giuseppe Pennisi rediscovers the beauty of Rossini's orchestration
Ensemble. To Suit the Voice - Gregory Moomjy takes a sneak peek at the divas and divos of tomorrow, as heard at New York Metropolitan Opera's National Council auditions
Ensemble. Happy Melodies - Rossini's 'Il Turco in Italia' delights Maria Nockin
Profile. Two Americans in Paris - Maria Nockin talks to Vivica Genaux and Lawrence Brownlee
Ensemble. First Class - The new Palermo production of Rossini's 'The Barber of Seville', a casual worker in Almodóvar's Seville, recommended by Giuseppe Pennisi
Ensemble. Vivid Contrasts - Mike Wheeler listens to Pinchas Zukerman and the Royal Philharmonic
Ensemble. Hilariously Funny - Arizona Opera's 'The Barber of Seville', appreciated by Maria Nockin
Ensemble. Excellent Singing - Handel and Rossini from Los Angeles Opera impress Maria Nockin
Ensemble. Highly Promising - Rossini, Schubert and Beethoven from the Derby Concert Orchestra, reviewed by Mike Wheeler
Ensemble. Opera at the Movies - Maria Nockin experiences Tan Dun's 'The First Emperor'
Ensemble. A Modern Style - Pimlico Opera's 'The Barber of Seville', reviewed by Robert Hugill
Ensemble. Accomplished Stagecraft - 'The Barber of Seville' at San Diego Opera, reviewed by Maria Nockin