Profile. A Gold Mine - Roderic Dunnett visits Birmingham to talk to John Joubert
See all our sponsored features >>
ADVERTISEMENT
An English conductor who has held one of the most prestigious posts in Europe is Simon Rattle, born 19 January 1955. At the age of eight he was playing percussion in the Merseyside Youth Orchestra, which led to numerous conducting posts until in 1980 he took over the City of Birmingham Symphony Orchestra. That apart, his career was by then soaring. His excellence has since been acknowledged worldwide.
Classical music news. Rattle to Munich - Simon Rattle is appointed Chief Conductor of the Bavarian Radio Symphony Orchestra and extends with the London Symphony Orchestra
CD Spotlight. An Impressive Undertaking - Simon Rattle conducts Wagner's 'Die Walküre', heard by Giuseppe Pennisi. 'The singing and the orchestra raise this performance above the ordinary.'
Ensemble. Thought Provoking - Maria Nockin visits the cinema for Mariusz Trelinski's updated staging of Wagner's 'Tristan und Isolde' in HD from New York Metropolitan Opera
Ensemble. General Tendencies - Giuseppe Pennisi visits Aix-en-Provence for three operas and an orchestral concert
Ask Alice - On 'Dialogues des Carmelites' at Covent Garden, with classical music agony aunt Alice McVeigh
CD Spotlight. Top Notch - Magdalena Kozená's Carmen, recommended by Gerald Fenech. '... sheer and utter brilliance in every department.'
CD Spotlight. Gripping Intensity - Simon Rattle's new Bruckner 9, recommended by Gerald Fenech. '... polished and vigorous performances ...'
CD Spotlight. Splendidly Performed - Baroque music for cello, recommended by Howard Smith. 'An exemplary CD ...'
Ensemble. Wholly Captivating - Rossini's 'Italian Girl in Algiers' impresses Howard Smith
DVD Spotlight. Insightful Performances - 'Die Walküre' from Provence, experienced by Maria Nockin. 'The cast is excellent.'
A Labour of Love - John Suchet's 'The Treasures of Beethoven', read by Howard Smith
DVD Spotlight. Moving and Powerful - Gershwin's 'Porgy and Bess', appreciated by Robert Anderson. 'The work is in the safest possible hands ...'