VIDEO PODCAST: New Recordings - Find out about Adrian Williams, Andriy Lehki, African Pianism, Heinrich Schütz and Walter Arlen, and meet Stephen Sutton of Divine Art Recordings, conductor Kenneth Woods, composer Graham Williams and others.
Ensemble. Three Days at the Ravenna Summer Festival - Giuseppe Pennisi reports from 'The Italian Salzburg'
CD Spotlight. Benjamin Britten and James Joyce - Giuseppe Pennisi listens to two sets of English folk and other songs. '... very good listening ...'
Ensemble. HOT 'Dream' in Honolulu - James Sohre reviews a Britten rarity
Ensemble. Dramatic Singing - 'Peter Grimes' live from Milan in HD, enjoyed by Maria Nockin
CD Spotlight. Haunting Beauty - Britten song cycles, heard by Robert Anderson. 'Nothing can detract from the magic ...'
Ensemble. A Real Triumph - The first Milan performance of Britten's 'Death in Venice' impresses Giuseppe Pennisi
Timings - Breaking Moulds: 1910, by Jennifer Paull
Ensemble. Convincingly Pitched - Britten's 'The Turn of the Screw', heard by Mike Wheeler
Ensemble. In Full Voice - Britten's 'St Nicolas' at Canterbury Cathedral, enjoyed by Pippa Hare
CD Spotlight. A Forthright Approach - J S Bach's St Matthew Passion, recommended by Howard Smith. '... the Ex Cathedra performance is a triumph.'
CD Spotlight. A Rare Collection - The collected 78rpm recordings of Peter Warlock, heard by Patric Standford. '... some interesting and revealing performances.'
The Philosophy of Absence - Jennifer Paull investigates four releases of Cage's Number Pieces
Ensemble. Unique Sonorities - Britten's Peter Grimes, heard by Maria Nockin
CD Spotlight. Perfection - Benjamin Britten folksong arrangements, recommended by Howard Smith. '... this release is worth several times it's weight in gold.'
DVD Spotlight. Understandably Controversial - Derek Jarman's 'War Requiem', reviewed by Howard Smith. '... cutting room virtuosity.'
Ensemble. A Spectacular Portrayal - Opera North's 'Peter Grimes', reviewed by Patric Standford
Record Box. Enterprising Recordings - Music for piano and orchestra, reviewed by Patric Standford