DISCUSSION: Defining Our Field - what is 'classical music' to us, why are we involved and what can we learn from our differences? Read John Dante Prevedini's essay, watch the panel discussion and make your own comments.
Ensemble. Stylish and Powerful - Donizetti's 'Belisario', reviewed by Robert Hugill
Ensemble. Fine Drama - Chelsea Opera Group's 'La Traviata', reviewed by Robert Hugill
Ensemble. Sterling Performances - Donizetti's 'Linda di Chamounix', heard by Robert Hugill
Ensemble. Operatic Passions - Francesco Cilea's 'Adriana Lecouvreur', reviewed by Robert Hugill
Ensemble. A Mirror of Control - Chelsea Opera Group's 'Macbeth', reviewed by Robert Hugill
Ensemble. Lively but Disciplined - Robert Hugill reviews a performance of Donizetti's 'Maria Stuarda'
Ensemble. Highly Dramatic - Nelly Miricioiu in Bellini's 'Beatrice di Tenda', reviewed by Robert Hugill
Ensemble. Fire and Flexibility - Verdi's 'Attila', reviewed by Robert Hugill