DISCUSSION: Defining Our Field - what is 'classical music' to us, why are we involved and what can we learn from our differences? Read John Dante Prevedini's essay, watch the panel discussion and make your own comments.
VIDEO PODCAST: Slava Ukraini! - recorded on 24 February 2022, the day the world woke up to the news that Vladimir Putin's Russian forces had invaded Ukraine. A fifty minute video which also features Caitríona O'Leary and Eric Fraad discussing their new film Island of Saints, and pays tribute to Joseph Horovitz, Malcolm Troup and Maria Nockin.
'Jane Manning, a distinctive English soprano and enthusiastic advocate of modern song, was born on 20 September 1938. Her support and performance of contemporary music has assisted many composers, in live performance, broadcast, and on record.' - Basil Ramsey
Her London debut was at a Park Lane Group concert in 1964. Specialising in contemporary music, she broadcast Schoenberg's Pierrot lunaire for the BBC in 1965. She married English composer Anthony Payne in 1966, who is best known for his completion of Elgar's Symphony No 3, and Manning and Payne created the ensemble Jane's Minstrels in 1988.
Notable amongst her more than three-hundred-and-fifty first performances have been her role as Max in Oliver Knussen's 1980 opera Where the Wild Things Are, and in Requiem Sequence (1971) and Voyage (1972) by John McCabe. In 1979 she commissioned the opera King Harald's Saga from Judith Weir. Jane Manning recorded and broadcast extensively.
In addition to her performing career, she wrote two books, New Vocal Repertory and Vocal Repertory for the 21st Century, plus many articles for magazines. She taught at several universities, and made a study of Pierrot lunaire during her time as a Creative Arts Research Fellow at Kingston University.
Jane Manning died on 31 March 2021, aged eighty-two.
Writing on the NMC Recordings website, Colin Matthews commented: 'She was a central figure in new music for well over fifty years, someone who could tackle anything and everything, with a sight-reading ability, perfection of pitch and a sheer joy in performance second to none.'