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Anna Netrebko in Massenet's 'Manon' at New York Metropolitan Opera. Photo © 2012 Ken HowardSPONSORED: Vocal Glory - Massenet's Manon in HD from New York Metropolitan Opera, enjoyed by Maria Nockin.
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A selection of 'Debussy: La Mer' articles

Ensemble. Unimpeachable Sensitivity - Mike Wheeler listens to Walton, Ravel, Gershwin and Debussy from John Wilson and the Sinfonia of London

CD Spotlight. A Great Pairing - Geoff Pearce listens to orchestral works by Debussy. 'This recording will be one that delights you again and again.'

Ensemble. Real Emotions - Two concerts in Salzburg impress Giuseppe Pennisi

Impressionism and Symbolism - Debussy, by Eric Jensen, read by Robert Anderson

Ensemble. Brisk Ebullience - Lawrence Budmen sends a second report from this summer's Tanglewood Festival

CD Spotlight. Consistently Refined - Debussy transcriptions, reviewed by Howard Smith. '... these alternatives are never less than striking ...'

CD Spotlight. Pride of Place - Piano music by Frank Bridge, praised by Howard Smith. 'A standing ovation for Mark Bebbington ...'

CD Spotlight. Often ravishing - Music by Debussy, Prokofiev, Britten and Ravel, reviewed by Robert Anderson. '... admirably encompassed ...'

  • Latest
    • Sponsored features
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    • Resounding Echoes
    • New releases
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  • Topics
    • orchestral music
    • vocal music
    • harpsichord music
    • nineteenth century
    • First World War
    • World War II
    • twentieth century
    • opera
    • theatre music
    • choral music
    • music education
    • eighteenth century
  • Places
    • Canada
    • Germany
    • Poland
    • France
    • Austria
    • United Kingdom
    • United States of America
    • Ukraine
    • Georgia
    • Finland
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    • Mike Wheeler
    • Paul Bodine
    • John Dante Prevedini
    • Andreas Rey
    • Allan Rae
    • Endre Anaru
    • Geoff Pearce
    • Frances Forbes-Carbines
    • Peter King
    • Gerald Fenech
    • anonymous authors
    • All authors
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Formerly known as Music & Vision –
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Founding Editor: Basil Ramsey (1929-2018);
Editor: Keith Bramich