DISCUSSION: John Dante Prevedini leads a discussion about Improvisation in the classical world and beyond, including contributions from David Arditti, James Lewitzke, James Ross and Steve Vasta.

A selection of 'Joseph Hu' articles

Ensemble. Tears Behind the Laughter - San Diego Opera's 'The Marriage of Figaro', reviewed by Ron Bierman

Ensemble. Imaginative Harmonies - Richard Strauss's 'Salome' at San Diego Opera, enjoyed by Maria Nockin

Ensemble. Uncurbed Impulses - Bizet's 'Carmen' at San Diego Opera, appreciated by Maria Nockin

Ensemble. A Smooth Delivery - Maria Nockin was at San Diego for Puccini's 'Turandot'

Ensemble. Major Delights - 'La traviata' from San Diego Opera, reviewed by Maria Nockin

Ensemble. An Excellent Performance - Gounod's 'Romeo and Juliet' at San Diego Opera, enjoyed by Maria Nockin

Ensemble. A Fine Performance - Verdi's 'Nabucco' from San Diego Opera, enjoyed by Maria Nockin

Ensemble. Ringing Intensity - 'Madama Butterfly' from San Diego Opera, reviewed by Maria Nockin

Ensemble. Outstanding Performance - A San Diego performance of Verdi's 'Rigoletto' impresses Maria Nockin

Ensemble. Amazing Clarity - Greer Grimsley sings Scarpia in 'Tosca' from San Diego, experienced by Maria Nockin

Ensemble. An Imaginative Production - 'Il Trovatore' in San Diego, reviewed by Maria Nockin

Ensemble. Robust and Vigorous - Saint-Saëns' 'Samson and Delilah', reviewed by Maria Nockin

Ensemble. Extremely Traditional - 'Madama Butterfly' in Arizona, reviewed by Maria Nockin

Ensemble. Infectious Verve - Maria Nockin was at San Diego Opera's 'The Magic Flute'

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