VIDEO PODCAST: Slava Ukraini! - recorded on 24 February 2022, the day Europe woke up to the news that Vladimir Putin's Russian forces had invaded Ukraine. A fifty minute video which also features Caitríona O'Leary and Eric Fraad discussing their new film Island of Saints, and pays tribute to Joseph Horovitz, Malcolm Troup and Maria Nockin.
VIDEO PODCAST: John Dante Prevedini leads a discussion about Youth Involvement in Classical Music - this specially extended illustrated feature includes contributions from Christopher Morley, Gerald Fenech, Halida Dinova, Patricia Spencer and Roderic Dunnett.
Dutch composer and pianist Louis Andriessen was born on 6 June 1939 in Utrecht. He studied with his father, the composer Hendrik Andriessen and with Kees van Baaren at the Royal Conservatory of The Hague, then later with Luciano Berio in Milan and Berlin.
Early in his career he experimented with pastiche, serialism and tape, and reacted against the conservative Dutch contemporary music scene. In 1969 he was one of the co-founders of STEIM - the Studio for Electro Instrumental Music, in Amsterdam. From the beginning of the 1970s he avoided the conventional orchestra, writing instead for various idiosyncratic combinations of instruments which often featured orchestral instruments alongside congas and electric guitars and basses.
His mature music was influenced by Stravinsky, jazz and minimalism. Works include Hoketus (1977), De Stijl (1985) and, in collaboration with Peter Greenaway, the opera Writing to Vermeer (1997-8).
Based in Amsterdam, he taught composition at the Royal Conservatory of The Hague from 1973 until 2018, where his many students included Michel van der Aa, Graham Fitkin, Kasia Glowicka, Yannis Kyriakides, Steve Martland and Paul Steenhuisen. He received the Gaudeamus International Composers Award in 1959.
Louis Andriessen held the Richard and Barbara Debs Composer’s Chair at Carnegie Hall and was awarded Composer of the Year Award by Musical America in 2010. He won the 2011 Grawemeyer Award for Music Composition for his opera La Commedia, based on the Divina Commedia by Dante Alighieri. In 2016 he was awarded the Marie-Josée Kravis Prize for New Music at the New York Philharmonic Orchestra, which included the commissioning of his orchestral work Agamemnon.
He was one of the most significant composers of his time, and his music was played by many ensembles outside of the Netherlands, including the Bang on a Can All Stars, the BBC Symphony Orchestra, Ensemble Modern, Icebreaker, the Kronos Quartet, the London Sinfonietta, the Los Angeles Philharmonic Orchestra, MusikFabrik, the New York Philharmonic Orchestra and the San Francisco Symphony Orchestra.
Following a fall at the beginning of 2020, Louis Andriessen was diagnosed with Alzheimer's Disease and vascular dementia. His final composition, May, based on fragments from a poem of the same name by Herman Gorter, received its first performance in December 2020, and Andriessen was able to watch and listen to the performance remotely. He had moved to a care home in Weesp in March 2020 and died there on 1 July 2021, aged eighty-two.
Classical music news - July 2021 Obituaries - Our summary of those the classical music world has lost this month
Classical music news - Newsletter plus June Obituaries - Classical Music Daily's July 2021 Newsletter, has just been published, along with a summary of musicians the classical music world lost last month
Ensemble. A Cause for Celebration - 'Mechanical Advantage', Sinfonia Viva's latest Schools Residency, described by Mike Wheeler
Ensemble. Well Scrubbed-up and Dapper - Sinfonia Viva and conductor Duncan Ward, with guest soloists Cordelia Williams and Alice Zawadzki, leave a deep impression on Mike Wheeler
Ensemble. Energy and Commitment - Sinfonia Viva's schools residency concert, heard by Mike Wheeler
Record Box. Superlative Playing - Music from the Glass Farm Ensemble impresses Malcolm Tattersall