RECENT: Defining Our Field - what is 'classical music' to us, why are we involved and what can we learn from our differences? Read John Dante Prevedini's essay, watch the panel discussion and make your own comments.
The late Patric Standford may have written these short pieces deliberately to provoke our feedback. If so, his success is reflected in the rich range of readers' comments appearing at the foot of most of the pages.
BZ 1041 (Palazzetto Bru Zane, CD, 2 discs)
NEW RELEASE (28 August 2020)
Playing time: 76'46"/70'43" - TT 147'29"
Tracks: 25 + 23
Booklet pages: 172
© 2020 Palazzetto Bru Zane - Centre de musique romantique française
Main country of recording: FR
Country of manufacture: NL
Reviewer: Giuseppe Pennisi
Review of Camille Saint-Saëns: Le Timbre d'argent published on 20 September 2020
Hélène Guilmette, soprano (Hélène)
Jodie Devos, soprano (Rosa)
Edgaras Montvidas (Conrad)
Yu Shao (Bénédict)
Tassis Christoyannis (Spiridion)
Jean-Yves Ravoux (Patrick)
Matthieu Chapuis (Un Mendiant)
François-Xavier Roth, conductor
Camille Saint-Saëns (1835-1921):
Le Timbre d'argent, Drame lyrique in four acts to a libretto by Jules Barbier and Michel Carré