SPONSORED: Letter to Louise Talma (Never Sent) - by Jenna Orkin.
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A selection of 'Scott Sikon' articles
Ensemble. Horns and Headlights? - Ron Bierman reports on San Diego Opera's 'La bohème' from a parking lot in San Diego
Ensemble. A Nuanced, Idiomatic Portrayal - San Diego Opera's first drive-in opera - 'La bohème', appreciated by Maria Nockin
Ensemble. Tears Behind the Laughter - San Diego Opera's 'The Marriage of Figaro', reviewed by Ron Bierman
Ensemble. Imaginative Harmonies - Richard Strauss's 'Salome' at San Diego Opera, enjoyed by Maria Nockin
Ensemble. Truly Beautiful - Gounod's 'Faust' at San Diego Opera delights Maria Nockin
Ensemble. A Smooth Delivery - Maria Nockin was at San Diego for Puccini's 'Turandot'
Ensemble. Major Delights - 'La traviata' from San Diego Opera, reviewed by Maria Nockin
Ensemble. An Excellent Performance - Gounod's 'Romeo and Juliet' at San Diego Opera, enjoyed by Maria Nockin
Ensemble. Ringing Intensity - 'Madama Butterfly' from San Diego Opera, reviewed by Maria Nockin
Ensemble. Outstanding Performance - A San Diego performance of Verdi's 'Rigoletto' impresses Maria Nockin
Ensemble. Amazing Clarity - Greer Grimsley sings Scarpia in 'Tosca' from San Diego, experienced by Maria Nockin
Ensemble. A Magnetic Presence - Mozart's 'Figaro' at San Diego Opera, reviewed by Maria Nockin
Ensemble. Worldly Forces - Alban Berg's 'Wozzeck' at San Diego Opera, reviewed by Maria Nockin
Ensemble. Robust and Vigorous - Saint-Saëns' 'Samson and Delilah', reviewed by Maria Nockin