DISCUSSION: Defining Our Field - what is 'classical music' to us, why are we involved and what can we learn from our differences? Read John Dante Prevedini's essay, watch the panel discussion and make your own comments.
WORD SEARCH: Can you solve Allan Rae's classical music word search puzzles? We're currently publishing one per month.
English mezzo-soprano Sarah Connolly was born in County Durham on 13 June 1963. She studied at the Royal College of Music in London and was a member of the BBC Singers for five years.
She then began a career in opera in 1994, and in 1998 sang the title role in Handel's Serse for English National Opera. In 2005 she appeared at Glyndebourne Festival Opera and at New York Metropolitan Opera, and in 2009 at La Scala, Covent Garden and at the Last Night of the Proms.
Based in Gloucestershire, she has also made a series of high profile recordings, and is committed to promoting contemporary music.
Spotlight. A Real Find - Geoff Pearce urges you to listen to this recording of Tippett's 'A Child of Our Time'. '... something very special indeed.'
CD Spotlight. An Exceptional Recording - Gerald Fenech finds William Vann's new recording of music by Parry revelatory. '... highly dramatic performances seething with passionate endeavour and glorious grandeur.'
Classical music news. Making the world safe for small pianists - The Stretto Piano Festival and other forthcoming events, including the Verbier, Berkshire High Peaks, Presteigne and Oxford International Song festivals
Ensemble. A Connolly Smorgasbord - A selection of performances by Sarah Connolly, as part of the Buxton International Festival Digital 2020 Season, reviewed by Mike Wheeler
Ensemble. Musically Outstanding - Wagner's 'Das Rheingold' in dress rehearsal at Covent Garden impresses Alice McVeigh
Ensemble. Listening with Fresh Ears - A little-known version of the 'Italian Symphony' plus other music by Mendelssohn and Berlioz, from Sarah Connolly, Kati Debretzeni and the Orchestra of the Age of Enlightenment, intrigues Malcolm Miller
Ensemble. The Treasured Crown - Roderic Dunnett reports in depth on last month's Three Choirs Festival at Gloucester
Ensemble. Deliciously Romanticised - Keith Bramich attends the first evening concert of the 2016 Gloucester Three Choirs Festival
Ensemble. Quite Stunning - The 2015 Three Choirs Festival, enjoyed by Roderic Dunnett
Ensemble. Highly Successful - Roderic Dunnett looks back to Worcester's 2014 Three Choirs Festival, and forward to Hereford's Festival in July 2015
Ensemble. Exciting Teamwork - Roderic Dunnett was in Worcester for the 2011 Three Choirs Festival
Ensemble. Rapturous Beauty - Richard Strauss's 'Capriccio', reviewed by Maria Nockin
Ensemble. Top Class Musicianship - Roderic Dunnett visits Gloucester for the 2010 Three Choirs Festival
Ensemble. Sisters Under the Skin - Donizetti's 'Maria Stuarda' at Opera North, reviewed by Mike Wheeler
Ensemble. Brilliantly Realised - Bellini's 'I Capuleti e i Montecchi', heard by Mike Wheeler
Ensemble. Profoundly Satisfying - Robert Hugill at English National Opera's 'Der Rosenkavalier'
Poignant Sweetness - Sarah Connolly and the Hallé Orchestra, reviewed by Mike Wheeler
Ensemble. Rapt and Radiant - Sarah Connolly, The Hallé Orchestra and Mark Elder visit Derby, and Mike Wheeler was in the audience
Ensemble. A Light-hearted Approach - Handel's 'Agrippina' at English National Opera, reviewed by Robert Hugill