VIDEO PODCAST: Come and meet Eric Fraad of Heresy Records, Kenneth Woods, musical director of Colorado MahlerFest and the English Symphony Orchestra and others.
VIDEO PODCAST: Women Composers - Our special hour-long illustrated feature on women composers includes contributions from Diana Ambache, Gail Wein, Hilary Tann, Natalie Artemas-Polak and Victoria Bond.
Classical music news. Obituary - April Cantelo (1928-2024)
Spotlight. Vitality and Freshness - Gerald Fenech is delighted by Bojan Čičić and Steven Devine's recording of Handel's violin sonatas. '... infectious warmth and extraordinary dexterity ...'
CD Spotlight. Górecki's Strings - Giuseppe Pennisi compares two recent recordings of Górecki string quartets. '... Quatuor Molinari has a more melancholic approach than the Tippett Quartet.'
CD Spotlight. Hallmarks of a Troubled Mindset - Patrick Maxwell listens critically to the Fitzwilliam String Quartet's Schubert. 'This CD holds within some extremely heart-rending, joyous and emotionally infused music, played by some wonderful individual players.'
CD Spotlight. Absolutely Superb - Early music from Northern Europe, highly recommended by Geoff Pearce. 'These are truly great performances of less familiar music, and all musicians featured are of the finest quality.'
Ensemble. A Remarkable Service - Saint-Saëns' 'Samson and Delilah' at Grange Park Opera, reviewed by Roderic Dunnett
Ensemble. Incredibly Welcome - Roderic Dunnett visits Grange Park Opera for Tchaikovsky's 'Eugene Onegin'
Ensemble. No Sense or Sensibility - George Balcombe dismisses Patrick Piggott's book about music in the life and writings of Jane Austen
Ensemble. Firmly in Period - Grange Park Opera's 'Madama Butterfly', reviewed by Robert Hugill
Ensemble. A Classy Show - Pimlico Opera's 'Rigoletto', reviewed by Robert Hugill
Ensemble. A Different Sort of Beauty - Janácek's 'The Cunning Little Vixen', reviewed by Robert Hugill
Ensemble. Dramatic Effect - Handel's 'Semele' at Grange Park, reviewed by Robert Hugill
Ensemble. A Modern Style - Pimlico Opera's 'The Barber of Seville', reviewed by Robert Hugill