The late Patric Standford may have written these short pieces deliberately to provoke our feedback. If so, his success is reflected in the rich range of readers' comments appearing at the foot of most of the pages.
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Before it was badly hit by the coronavirus pandemic, New York City was, no doubt, one of the most lively and most ethnically and culturally diverse places in the world. There was a very large supply of every cultural offering, including music, with performers from all over the world.
Joanne Chang, the protagonist of this CD, reached New York from Taiwan via Australia. She received her undergraduate degree from Queensland Conservatorium of Griffith University in Australia, her Master's degree from the Manhattan School of Music, and her Doctoral degree from Columbia University. Her teachers include Tai-Cheng Chen, Constance Keene, Karl-Heinz Kammerling, Natasha Vlassenko, Mykola Suk, Valida Rassoulova and Lev Vlassenko. Currently, she is a full professor at the Queensborough Community College of the City University of New York.
This CD is a rather peculiar homage to New York. Only one of the five composers is American, May Aufderheide. She has had little to do with New York. She was a member of the Indianapolis ragtime community that included Paul Pratt, Cecil Duane Crabb, J Russel Robinson, Will B Morrison, Julia Lee Niebergall and Gladys Yelvington. The popularity of her first published rag, Dusty, convinced her father, Indianapolis loan broker John H Aufderheide, to enter the music publishing business forming the firm J H Aufderheide Music Publisher. Two of the others are well-known French composers of the twentieth century - Claude Debussy and Maurice Ravel. One is Russian: Alexander Scriabin. One is a Cuban: Ernesto Lecuona, who, unhappy with the Castro regime, moved to Florida in 1960 and became quite popular with the American audience.
Consequently, the homage to New York is rather eclectic. The intention is to provide 'impressions' of the multi-ethnic and multicultural atmosphere of New York. In my view, this objective is reached well with the selection of the pieces by Aufderheide, Scriabin and Lecuona. Debussy and Ravel are quintessential French; in New York, they remain as French as top restaurants, such Le Bernardin at W 51st Street and Daniel at E 65th Street.
Debussy's Suite Bergamasque opens the recording. Joanne Chang plays the published edition - ie that of 1905. She is very passionate and sweet in the third movement, the universally known Claire de lune.
May Aufderheide's ragtime pieces are the juiciest section here, also because recent CDs on ragtime music are rare and far between. I have a collection of Scott Joplin's LPs; I purchased them in the US in the 1970s and I do not know whether they have been remastered in CD. Dusty gives the 1920s atmosphere perfectly.
Listen — May Aufderheide: Dusty
(track 5, 0:00-0:33) © 2019 Centaur Records Inc :
Thriller is a brilliant rhythm piece.
Listen — May Aufderheide: Thriller
(track 6, 0:36-1:11) © 2019 Centaur Records Inc :
The Piano Sonata No 9 (Black Mass) by Scriabin is a purely virtuoso piece. It offers Joanne Chang the opportunity to show her skills.
Listen — Alexander Scriabin: Black Mass
(track 7, 7:46-8:40) © 2019 Centaur Records Inc :
Ravel's Le Tombeau de Couperin is another virtuoso piece. The minuet is quite impressive.
Listen — Maurice Ravel: Menuet (Le Tombeau de Couperin)
(track 12, 0:00-0:59) © 2019 Centaur Records Inc :
As said earlier, this CD made me discover Ernesto Lecuona. He is known more for his zarzuelas - Spanish operettas - and his dance music than for his piano works. On this CD, the piano solo selection is based on his dance music. The Cuban Dance is quite charming.
In short, the main point of this CD is to get acquainted with a young multicultural pianist who is likely to go far.
Copyright © 5 September 2020