UPDATES: There's a new feature every day at Classical Music Daily. Read about the various ways we can keep in touch with you about what's happening here.
VIDEO PODCAST: John Dante Prevedini leads a discussion about Youth Involvement in Classical Music - this specially extended illustrated feature includes contributions from Christopher Morley, Gerald Fenech, Halida Dinova, Patricia Spencer and Roderic Dunnett.
Ensemble. Exhilarating Final Moments - Opera North's live streaming of Beethoven's 'Fidelio' impresses Mike Wheeler
Ensemble. Long Overdue - Giuseppe Pennisi was in the audience for the first performance in Rome of Benjamin Britten's 'Billy Budd'
Ensemble. Hugely Rewarding - Mozart's 'Idomeneo' at Garsington Opera impresses Roderic Dunnett
Ensemble. Elegant as well as Functional - Thomas Adès' 'The Tempest' live in HD, enjoyed by Maria Nockin
Ask Alice - A visit to Covent Garden for 'Die Meistersinger', with Classical Music agony aunt Alice McVeigh
Ensemble. Consummate Skill - 'Hamlet' by Ambroise Thomas, heard by Maria Nockin
Ensemble. Any Questions? - Bernstein's 'Candide' at English National Opera, enjoyed by David Wilkins
Record Box. Clear Vividness - The 1751 version of Handel's 'Messiah', reviewed by Patric Standford
Ensemble. A Sizzling Account - 'The Tempest' by Thomas Adès, reviewed by Maria Nockin
Ensemble. A Light Touch - Mozart's 'The Magic Flute', enjoyed by Maria Nockin
Ensemble. Vivid form - 'Il Barbiere di Siviglia' at Covent Garden, reviewed by Robert Hugill
DVD Spotlight. Wonderfully varied - Monteverdi's 'Il ritorno d'Ulisse in patria', reviewed by Robert Anderson. '... moving drama and notable accomplishment.'
Ensemble. Involving and magical - Robert Hugill experiences Thomas Adès's opera 'The Tempest'