RECENT: Composers Daniel Schorno and John Dante Prevedini discuss creativity, innovation and re-invention with Maria Nockin, Mary Mogil, Giuseppe Pennisi and Roderic Dunnett in our hour-long April 2021 video.
RECENT: Defining Our Field - what is 'classical music' to us, why are we involved and what can we learn from our differences? Read John Dante Prevedini's essay, watch the panel discussion and make your own comments.
French composer Étienne Perruchon was born in 1958. His first commission was in 1981. He was known principally for his film music, but created works of an extremely varied nature, including much operatic, symphonic, instrumental, chamber and vocal music, plus incidental music for plays.
He also created his own language, Dogorian, spoken in an imaginary central European country called Dogora, and wrote songs and choral music in that language. The large choral work Dogora was performed in the city of Chambéry in 2000.
Three years later Patrice Leconte discovered this work, and decided to make a film based on it - Dogora, ouvrons les yeux (Dogora, open our eyes). Étienne Perruchon won an award for the music for this film. This led to further collaborations on film music, and Perruchon continued his work in Dogorian with further works, including Tchikidan, Skaanza and Tzùngati.
The 2009 opera Pinocchio was inspired by a libretto created by the composer's wife, Jeanne Perruchon, based on the celebrated fairytale novel The Adventures of Pinocchio by Italian author and journalist Carlo Collodi.
In May 2013, Ariane Mnouchkine and his Théâtre du Soleil hosted Dogorians, the musical show written, composed and conceived by the composer, directed by Bernard Cauchard.
Étienne Perruchon died on 14 May 2019, aged sixty, following a long battle with illness.