The late Patric Standford may have written these short pieces deliberately to provoke our feedback. If so, his success is reflected in the rich range of readers' comments appearing at the foot of most of the pages.
VIDEO PODCAST: John Dante Prevedini leads a discussion about Youth Involvement in Classical Music - this specially extended illustrated feature includes contributions from Christopher Morley, Gerald Fenech, Halida Dinova, Patricia Spencer and Roderic Dunnett.
Lengthy, conplex embellishment of vocal lines, notated or improvised, and used since the thirteenth century.
Ensemble. Santa Fe, The City Different - Maria Nockin enjoys the summer opera fare in North America's oldest capital city
Ensemble. Stylish and Powerful - Donizetti's 'Belisario', reviewed by Robert Hugill
Ensemble. Better Late than Never - The BPSE Late Summer Festival, attended by Malcolm Troup
Ensemble. Strong Performances - Donizetti's 'Don Pasquale', reviewed by Robert Hugill
CD Spotlight. Beauty of Timbre - Vivica Genaux sings Vivaldi, heard by Maria Nockin. 'Genaux's diction is excellent ...'
Ensemble. Brilliant Opportunities - A Rossini double bill, reviewed by Robert Hugill
Ensemble. Quite a Charmer - 'Alessandro' at the London Handel Festival, reviewed by Robert Hugill
Ensemble. Profoundly Satisfying - Donizetti's 'Anna Bolena' from English Touring Opera, reviewed by Robert Hugill
Ensemble. Remarkably Attractive - A rare London concert by Schola Pietatis Antonio Vivaldi, reviewed by Robert Hugill
Ensemble. Gripping Stuff - Handel's 'Ariodante' at English National Opera, enjoyed by Robert Hugill