DISCUSSION: Defining Our Field - what is 'classical music' to us, why are we involved and what can we learn from our differences? Read John Dante Prevedini's essay, watch the panel discussion and make your own comments.
Ensemble. Terrific Movement and Zip - Opera Warwick's 'Die Fledermaus', reviewed by Roderic Dunnett
Ensemble. Two Bats - 'Die Fledermaus' on Twelfth Night, reviewed by Giuseppe Pennisi
Ensemble. A New Year's Eve with 'Die Fledermaus' - Giuseppe Pennisi reports from Rome
Ensemble. The Joy of Operetta - Giuseppe Pennisi visits Ravenna for a trilogy of Danube stage works
A Rich Resource - Teresa Verde explains how Theodore Deacon makes opera come alive
A Real Find - Robert Davies made a remarkable impact when he stood in as Papageno late in the run of English Touring Opera's 'The Magic Flute'; Roderic Dunnett profiles him and celebrates the progress of other ETO cast members
Ensemble. In Nimble Fashion - Ohio Light Opera's 'The Queen's Lace Handkerchief', reviewed by Kelly Ferjutz
Ensemble. Infectious Verve - Maria Nockin was at San Diego Opera's 'The Magic Flute'
Ensemble. Operatic delights - Canadian Opera Company's Altamira Summer Arts Concerts, reviewed by Malcolm Miller
Ensemble. Joyous indeed - 'Die Fledermaus' and 'The White Horse Inn' at Ohio Light Opera, reviewed by Kelly Ferjutz