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John Dante Prevedini leading the 'Defining Our Field' discussionDISCUSSION: Defining Our Field - what is 'classical music' to us, why are we involved and what can we learn from our differences? Read John Dante Prevedini's essay, watch the panel discussion and make your own comments.

Orrett Rhoden performs works for piano by Galuppi, Beethoven, Mendelssohn, Chopin, Brahms, Ravel and Rhoden / Bob Marley. © 2011 Dexter RecordingsSPONSORED: CD Spotlight. Most Remarkable - Jamaican pianist Orrett Rhoden, heard by Bill Newman.
All sponsored features >>

A selection of 'Johann Strauss II: Die Fledermaus' articles

Ensemble. Terrific Movement and Zip - Opera Warwick's 'Die Fledermaus', reviewed by Roderic Dunnett

Ensemble. Two Bats - 'Die Fledermaus' on Twelfth Night, reviewed by Giuseppe Pennisi

Ensemble. A New Year's Eve with 'Die Fledermaus' - Giuseppe Pennisi reports from Rome

Ensemble. The Joy of Operetta - Giuseppe Pennisi visits Ravenna for a trilogy of Danube stage works

A Rich Resource - Teresa Verde explains how Theodore Deacon makes opera come alive

A Real Find - Robert Davies made a remarkable impact when he stood in as Papageno late in the run of English Touring Opera's 'The Magic Flute'; Roderic Dunnett profiles him and celebrates the progress of other ETO cast members

Ensemble. In Nimble Fashion - Ohio Light Opera's 'The Queen's Lace Handkerchief', reviewed by Kelly Ferjutz

Ensemble. Infectious Verve - Maria Nockin was at San Diego Opera's 'The Magic Flute'

Ensemble. Operatic delights - Canadian Opera Company's Altamira Summer Arts Concerts, reviewed by Malcolm Miller

Ensemble. Joyous indeed - 'Die Fledermaus' and 'The White Horse Inn' at Ohio Light Opera, reviewed by Kelly Ferjutz

  • Latest
    • Sponsored features
    • Live Performance Reviews
    • CD Reviews
    • Classical Music News
    • Previews
    • Obituaries
    • New Releases
    • Competitions
    • Interviews and Profiles
    • Press releases
    • General Articles
    • Comments
    • Forthcoming concerts
    • Festivals and masterclasses
    • In-depth features
    • Newsletters
  • People
    • Gerald Fenech
    • Giuseppe Pennisi
    • Mike Wheeler
    • Geoff Pearce
    • Adam J Sacks
    • Patrick Maxwell
    • Ron Bierman
    • Stephen Francis Vasta
    • Helene Kamioner
    • John Dante Prevedini
    • Matt Spangler & Lucy Mauro
    • Roderic Dunnett
    • Halida Dinova
    • France Gaignard
    • Keith Bramich
    • Simon Farrugia
    • Fareed Curmally
    • Gordon Andrew R
  • Places
    • Finland
    • Germany
    • Vietnam
    • Austria
    • United Kingdom
    • Ireland
    • France
    • Italy
    • United States of America
    • Switzerland
    • Russia
    • Bulgaria
    • Argentina
    • Hungary
    • Spain
    • Ukraine
    • Czech Republic
    • Poland
  • Topics
    • nineteenth century
    • orchestral music
    • vocal music
    • opera
    • cello music
    • choral music
    • harp music
    • contemporary music
    • rock music
    • classical crossover
    • twentieth century
    • clarinet music
    • piano music
    • violin music
    • 21st century
    • eighteenth century
    • chamber music
    • Coronavirus disease 2019
  • Interact
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    • Contact us
    • Updates
    • Search
    • Your privacy
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All material © 1998-2022 Classical Music Daily,
various authors and photographers.
All rights of the original copyright holders
are reserved, and are credited where known.
Formerly known as Music & Vision –
The world's first daily classical music magazine
Founding Editor: Basil Ramsey (1929-2018);
Editor: Keith Bramich