RECENT: Find out about composers from unusual places, including Gerard Schurmann, Giya Kancheli, Nazib Zhiganov and Nodar Gabunia, about singing in cars, and meet Jim Hutton from the RLPO and some of our regular contributors in this eighty-minute February 2021 video.
Patric Standford may have written these short pieces deliberately to provoke our feedback. If so, his success is reflected in the rich range of readers' comments appearing at the foot of most of the pages.
The background to this highly interesting issue is more historical than musical. Indeed, the works on this programme provide a window on eighteenth century Iberia, when the Braganzas ruled Portugal and the Bourbons sat on the Spanish throne. One must keep in mind what went on previously during the wars of the Portuguese Restoration and the Spanish Succession, wars that left an air of insecurity and despair in both nations. Wanting to depart from their traditional austerity, both Lisbon and Madrid started engaging the greatest artists of the age to revive a new joie de vivre in both monarchies, and naturally music was of paramount importance.
At the time, Britain and Lisbon enjoyed a special relationship, and this is given full due in William Corbett's Concerto alla Portugesa, inspired by music written by Italians in Portugal from his collection of concertos called 'Le bizzarrie universali', published in 1728 and 1742 respectively.
Listen — William Corbett: Allegro (Concerto 'Alla Portuguesa' in B flat, Op VIII No 7)
(track 1, 0:00-0:55) © 2018 harmonia mundi musique sas :
Charles Avison's 'Concerto Grosso' No 5 of 1744 is a homage to Domenico Scarlatti, one of the most esteemed composers of the age. Indeed, each movement of this work is an orchestral transcription of one of Scarlatti's sonatas.
Listen — Charles Avison: Largo (Concerto Grosso No 5 in D minor)
(track 13, 1:17-1:49) © 2018 harmonia mundi musique sas :
One of the latter's most gifted pupils in Lisbon was José António Carlos de Seixas, and deservedly Staier plays three Scarlatti sonatas flanked by two harpsichord concertos by his protégé.
Listen — Carlos de Seixas: Giga. Allegro (Concerto a 4 con vv e cimbalo obligato, in A)
(track 12, 0:57-1:33) © 2018 harmonia mundi musique sas :
The latest piece of this stimulating collation is Staier's arrangement for string orchestra and harpsichords of Boccherini's famous Quintet in D Minor, Op 30 No 6, depicting music in the streets of Madrid at night, a captivating and charming work that falls sweetly on the ear.
Listen — Boccherini, transcribed Staier: Los manolos
(Quintettino 'Musica notturna delle strade di Madrid')
(track 20, 1:17-1:55) © 2018 harmonia mundi musique sas :
Summing up, this is a splendid compendium, finely and eloquently played by an ensemble that is passionately committed to creating a sound world that never ages. Absorbing booklet notes and state-of-the-art sound complete a disc that I recommend wholeheartedly to young and old alike.