VIDEO PODCAST: Women Composers - Our special hour-long illustrated feature on women composers includes contributions from Diana Ambache, Gail Wein, Hilary Tann, Natalie Artemas-Polak and Victoria Bond.
DISCUSSION: John Dante Prevedini leads a discussion about Improvisation in the classical world and beyond, including contributions from David Arditti, James Lewitzke, James Ross and Steve Vasta.
VIDEO INTERVIEW: Ona Jarmalavičiūtė talks to American choral conductor Donald Nally, director of The Crossing, in this fascinating, illustrated, one hour programme.
Spotlight. Precious, Luminous Gems - Esdras Mugatik listens to music for accordion by British composer Ronald Stevenson (1928-2015). '... a magical capacity to differentiate levels of sound ...'
A Fresh, Different View - Roderic Dunnett previews Adrian Partington's 2023 Gloucester Three Choirs Festival
Ensemble. A Worthy Venture - Adam J Sacks reports on two Hong Kong Philharmonic Orchestra concerts
Echoes of Oblivion by Robert McCarney - Fragments of Utopia
Ensemble. Sex and Blood in Jerusalem - Giuseppe Pennisi reports on the new production of 'Salome' in Leipzig
Ensemble. Exhilarating Music - Verdi, Rossini, Offenbach, Mozart and Theodore Morrison at Santa Fe Opera, enjoyed by Maria Nockin
Masks - Jennifer Paull continues her investigation of musical and theatrical masks
Masks - Jennifer Paull investigates a layering of musical and theatrical masks, with the omnipresent eerie reminder of the gas mask
Ensemble. A Top-notch Formation - Operas by Zemlinsky and Puccini, reviewed by Giuseppe Pennisi
Ensemble. A New Path - Music by Oliver Rudland, heard by Robert Anderson
Ensemble. Magnificent Performances - 'Salome' from Arizona, reviewed by Maria Nockin
Ensemble. An Accomplished Performance - Matthew Moss sings British music, enjoyed by Mike Wheeler
Ensemble. Any Questions? - Bernstein's 'Candide' at English National Opera, enjoyed by David Wilkins
Ensemble. Distant Sound - LA Opera's 'Recovered Voices', reviewed by Maria Nockin
Ensemble. Satisfying the Quest - 'The Nightingale and the Rose' by Oliver Rudland, reviewed by Robert Anderson
Ensemble. Dramatic Punch - Richard Strauss's 'Salomé', reviewed by Maria Nockin